Loré Lixenberg

Lore Lixenberg is the leader of The Voice Party (an opera & political party you cannot join, it joins you) standing in the 2019 UK elections. In 2021 she won the Phonurgia Nova soundart prize for ’theVoicePartyOperaBotFarm[myFuryIsMyMuse] and was nominated for the Centre Pompidou Prix Heidsieck for her participatory voice pieces, ‘Pret a Chanter’ ‘PANIC ROOM - the singterviews’ film ‘The Fool', and BIRD!

Working with code, her explorations into participatory & digital practices continue with her extended voice dating app(ERA) SINGLR, taking place in 2022 and her voice currency VOXXCOIN, exploring the dramatic potential of encoded voice and dramatic exchange.

Her career began performing in physical theatre with Complicite, working with Simon Mcburney on Out of a House Walked a Man for the National Theatre that used texts by the Soviet writer Daniil Harms. Following this, her work has spanned performances on concert platforms and opera scenes to installations and vocal performances with composers, experimental visual and sound artists (STELARC, Bruce Mclean, ORLAN, David Toop, Imogen Sidworthy, Georgina Starr, Sam Belinfante)

She has played with Stewart Lee, Richard Thomas & Simon Munnery appearing in BBC2 Attention Scum and The Kombat Operas that won the Rose D'Or prize for comedy. Performing regularly the music of Frederic Acquaviva (with whom she founded & ran the Berlin-based Artspace www.laplaquetournante.org) she is in his piece 'SEMINAL' alongside Joan La Barbara, Vinko Globokar, Wills Morgan and Jacques Lizene for DeutschlandFunkKultur 2022. her first artist book, Memory Maps was published by Editions AcquAvivA, and her first monographic CD, The afternoon of a phone is on £@ß. Her vinyl NancarrowKaraoke (vocal transcriptions +performances of the piano rolls of Nancarrow) is out now on the NL label De Player. and her new Isou recording will be out next year.

Since January 17, 2018, Lixenberg has declared that everything she does is an extension of her voice and singing practice and is therefore to be considered an extended vocal.