Saturday 15 October 2016, 2pm
Please note that this is a matinee show – doors will be at 2pm.
Solo guitar set from David Grubbs, following the release of new album, Prismrose, on Blue Chopsticks. Grubbs is one of the most influential musicians of his generation: a legacy that includes such bands as Squirrel Bait, Bastro and Gastr del Sol, numerous collaborative works and a string of LPs that present his idiosyncratic, immediately recognisable songs and arrangements.
"It’s best to see tonight’s performance as the latest in a long line of high points from a songwriter-composer confirming his role as, amongst many other things, a standard-bearer for intelligent, uncompromising guitar music." - Thomas Blake, Folk Radio UK (review of the trio's performance at OTO in June 2013)
David Grubbs is Professor of Music at Brooklyn College and the Graduate Center, CUNY. At Brooklyn College he also teaches in the MFA programs in Performance and Interactive Media Arts (PIMA) and Creative Writing. He is the author of Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (Duke University Press), which appears in French, Italian, and Japanese translations.
Grubbs has released thirteen solo albums and appeared on more than 150 commercially- released recordings, the most recent of which is Prismrose (Blue Chopsticks, 2016). In 2000, his The Spectrum Between (Drag City) was named “Album of the Year” in the London Sunday Times. He is known for his cross-disciplinary collaborations with writers Susan Howe and Rick Moody, visual artists Anthony McCall, Angela Bulloch, and Stephen Prina, and choreographer Jonah Bokaer, and his work has been presented at, among other venues, the Solomon R. Guggenheim Museum, MoMA, the Tate Modern, and the Centre Pompidou. Grubbs was a member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and has performed with the Red Krayola, Will Oldham, Tony Conrad, Pauline Oliveros, and Loren Connors, and many others. He is a grant recipient from the Foundation for Contemporary Arts, a contributing editor in music for BOMB Magazine, a member of the Blank Forms board of directors, and director of the Blue Chopsticks record label.
Angharad Davies is a violinist, one at ease in both improvising and composition, with a wide discography as part of varied range of ensembles and groups. She’s a specialist in the art of ‘preparing’ her violin, adding objects or materials to it to extend its sound making properties. Her sensitivity to the sonic possibilities of musical situations and attentiveness to their shape and direction make her one of contemporary music’s most fascinating figures. 2015 has seen her being commissioned for a new work for “ solo violin and 4 bass amps” at the Counterflows Festival, Glasgow which was subsequently performed at the El Nicho Festival, Mexico and Supersonics, Birmingham. She also premiered Eliane Radigue’s new solo for violin, Occam XXII in Mexico.
Billy Steiger was born in Howth, Ireland on the 16th December, 1986. Now he plays on the violin.
“Then he sat down by a pond and began to play a tune. As he played, the most extraordinary thing happened. One by one the fish in the pond began to jump out and fly about in the air. And what is more, they were all different colours and they were singing to the music.”
Patrick, Quentin Blake.