Wednesday 12 July 2017, 7.30pm
The trio of Eddie Prévost (drums), NO Moore (guitarism), and bassist John Edwards (if ‘bassist’ captures everything it is that John Edwards can do) combines improvisation, free jazz, rock, and electronic sound into a sonorous aggregate that avoids collapsing into any one category, in order to be something in its very own right. Propulsive rhythm, new sounds, and energetic improvisation will be the order of the night, while expectations will be both met and mangled.
NO Moore’s guitar playing combines elements wrenched from the short history of the electric guitar, from the Blues to Free Improvisation, and combines them with a love of early electronic experimentalism, synthesis, and musique concrète. The result is an often surprising sound world for electric guitar, encompassing both a loose respect for its traditions and an absolute commitment to the new and the consequences that follow.
Eddie Prévost plays with immense fire, grace and invention. Founder of the essential AMM, collaborator of the greatest improvisers internationally, since the 60's he has kept a continuous contact with the scene and always manages to invent anew his contribution to "meta-music".
“Prévost's free drumming flows superbly making use of his formidable technique. It’s as though there has never been an Elvin Jones or Max Roach.” - Melody Maker
“Relentlessly innovative yet full of swing and fire.” – Morning Star
John Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, Mulatu Astatke and many others.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment
"The duo – Lucas on trombone and Kordik on synths – conjure up vast structures that loom up out of the murk, muddy swathes of sound that are criss-crossed with itchy, writhing movement. ... (They) achieve this singular aesthetic in part by combining the new and familiar. Lucas’ trombone hisses and blarts will be familiar to anyone versed in extended techniques, true, but when they’re mixed with Kordik’s electronic soundscapes, they sound utterly new." (Paul Margree)
"The trombone and the analogue synth provide a full set of cultural resonances to destabilise, disrupt and destroy. They are avatars visiting worlds where new meaning is forged in rebellious acts of listening." (Tony Hardie-Bick)
Besides their sonic partnership, Lucas and Kordik run their Earshots label which focuses on improvised music and field recordings. They also curate sporadic Earshots concert sessions. For more information check their www.earshots.org