Saturday 25 June 2016, 7pm, OTO Project Space

Image by Calum Storrie

OTO PROJECT SPACE: Alison Blunt / Hannah Marshall / Guillaume Viltard (trio)

No Longer Available

Acoustic delicacy in a boisterous urban cauldron : another chapter on an ongoing free exploration of stringed instruments.

Alison Blunt / violin

Hannah Marshall / cello

Guillaume Viltard / double-bass

Hannah Marshall

Hannah Marshall is a cellist who is continuing to extract, invent, and exorcize as many sounds and emotional qualities from her instrument as she can. She has been a regular member of Alexander Hawkins’ Ensembles and has toured in Europe and South America with Luc Ex and Veryan Weston’s ensembles – SOL 6 & 12. She plays with ‘String Terrorists’ - Barrel (a trio with Violinist Alison Blunt & Violist/poet Ivor kallin). And has been invited by Fred Frith and Suichi Chino in their residencies at café Oto. She also plays with Terry Day, Tim Hodgkinson, Roger Turner, Paul May, Kay Grant, and the London Improvisers Orchestra. 

Guillaume Viltard

An intensely physical double-bassist Viltard was one of OTO’s first associate artists – he has played and performed here with musicians as diverse as Otomo Yoshihide and Kan Mikami, Louis Moholo-Moholo, and Evan Parker. Particularly memorable was a sensational solo set in support of Marc Ribot. Most often his work has been in the ‘classic’ jazz format of saxophone/bass/drums: from trios with the late Tony Marsh and Shabaka Hutchings, to most recently Eddie Prévost and Ken Vandermark.

His uncompromising, physical and rhythmic approach to the double-bass – always acoustic, adamant – connects to jazz learning from sources as diverse as Jean-Jacques Avenel, Barre Phillips, Johnny Mbizo Dyani and Ronnie Boykins. 

His close association with OTO endures, and since late summer 2013 he has been part of a group of musicians playing, pushing and learning day and night in the OTO project space. Most often private, groupings around this new energy these groups are increasingly public, for example Steve Noble’s (new) Quartet.

Video by Helen Petts

Alison Blunt

Since a classical violin training, Alison Blunt has been creating and performing new work utilising or consisting of improvisation. She has performed throughout Europe, Scandinavia, US, Brazil, Australia and New Zealand with a wide array of artists including Avreeayl Ra Amen, Renee Baker, John Edwards, Vinny Golia, Elisabeth Harnik, Tristan Honsinger, Audrey Lauro, Hannah Marshall, Gianni Mimmo, Evan Parker, Gino Robair, Mark Sanders and Harri Sjöström; ensembles BARREL, Barcode Quartet, Berlin Improvisers Orchestra, Ensemble Progresivo, HANAM Quintet, Lode, Pierette Ensemble, Reciprocal Uncles & Aunt; and sometimes as a soloist.

Blunt was a member of the collective ASITIS and companies ‘Experiments in Spontaneous Performance’ and Apocryphal Theatre, and amongst broader performance and research activities, has collaborated with writer/playwright/director Julia Lee Barclay-Morton, installation artist Allan Giddy, Butoh dancer Florencia Guerberof, visual artist Birthe Jorgensen, visual artist/film maker Kate McMillan and voice/movement artist/actor Guy Dartnell. Last year she received Sound and Music funding support and toured England with Rose is a Rose is a Rose is a Rose, a collaborative work meshing music, text and live cooking on stage. She is also a highly experienced workshop leader exploring music-making with people of all ages and abilities. Alison refuses to be pigeon-holed.

www.alisonblunt.com