Monday 2 December 2019, 7.30pm
“There is much in regards to spatial relationships here, between plugged in and broken silences. At times there is this metallic, industrial timbre that then evaporates into the warble of articulated drone. On We’re Always At The End Chantler, to these ears, has managed to harness a seductive ambient landscape that makes inference to time in its relationship to space.. His warped vision is genuinely cryptic and of grace.” – Tone Shift
John Chantler’s recorded works for electronics are a dichotomy. Each of his editions, whilst entirely refined and composed, maintain a distinct sense of experimentation. Chantler’s willingness to forgo the familiar in favour of the unknown or the unexpected has become a recurrent methodology which has resulted in a body of work that is simultaneously united and sprawling.
New album, Tomorrow Is Too Late, typifies this dichotomy. Across each of the long-form pieces he brings together unexpectedly vibrant sonic materials that converge and occupy attention with a dynamic intensity that exceeds all of his previous offerings. Rather than considering dynamics purely in terms of amplitude, Chantler uses frequency as means for creating elegant moments where stability is removed and we, as listeners, are left to find our own way amidst the towering, complex patterns he devises.
John Chantler is a musician and organiser living in Stockholm, Sweden. He mostly works with synthesizers and electronics to create unpredictable, highly dynamic music where passages of spare, alien beauty bridge distorted washes of masses harmonics.
Originally from Australia he spent a decade in London before moving to Sweden where he directs a small annual festival for 'other music' in Stockholm called Edition. The 'Fifth Edition' is provisionally scheduled for early August 2020.
Chantler has performed in the UK, Australia, New Zealand, Japan, North America and across Europe including appearances at Akousma, Montreal; Madeira Dig; +90db Festival, Rome; Issue Project Room, NYC; and London’s Southbank Centre.
His work has been commissioned by Borealis Festival for Experimental Music in Bergen, Norway; Organ for the Senses, San Diego, USA; ElbPhilharmonie, Hamburg, Germany and Tectonics, Glasgow, UK. Chantler has also been artist-in-residence at the ZKM centre for media arts in Karlsruhe, Germany and NOTAM in Oslo, Norway.
During the late naughties Crystabel Riley toured Japan and Europe using drums, electronics and make-up in noise trio Maria and the Mirrors. This was the start of her interest in patterns on skins - human and drum.
She was later encouraged - and welcomed - into the Horse Improvised Music Club by Daniel Thompson and Sue Lynch respectively. This instantly consolidated into weekly playing with Sue, who she still collaborates with.
She is currently working on the multi-format duo project @xcrswx with Seymour Wright. This contrasts the LIVE (evolved sounds / patience / relentless) and the ANDROID (cropped media [sounds+visuals] / impatience / InstantPublication).
Seymour Wright’s work is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique – actual and potential.
His solo work is documented on three widely-acclaimed collections - Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).
Current projects include: abaria with Ute Kanngiesser; [Ahmed] with Antonin Gerbal, Joel Grip and Pat Thomas; @xcrswx with Crystabel Riley; GUO with Daniel Blumberg; The Experimental Library with Evie Ward; XT with Paul Abbott; a trans-atlantic duet with Anne Guthrie, and, with Jean-luc Guionnet a project addressing an imaginary lacunae in Aby Warburg's Atlas Mnemosyne.
His writing has been published in C//A, Sound American and The Wire.
Angharad Davies is a Welsh violinist, based in London, working with free-improvisation, compositions and performance.
Much of her work involves collaboration. She has long standing duos with Tisha Mukarji, Dominic Lash and Lina Lapelyte and plays with Apartment House, Cranc, Common Objects, Richard Dawson's band and Skogen. She has been involved in projects with Tarek Atui, Tony Conrad, Laura Cannell, Jack McNamara, Rie Nakajima, Eliane Radigue, Roberta Jean and J.G.Thirlwell.
She has released records on Absinth Records, Another Timbre, Potlatch and Confrontrecords.
Her album Ffansion | Fancies was voted in the top 12 albums for Radio 3's Late Junction.