Monday 11 December 2017, 7.30pm
by Caroline Kraabel
John Edwards, double bass
Caroline Kraabel, alto sax/ voice
Maggie Nicols, voice/taps
Mark Sanders, percussion
and the pre-recorded voice of Robert Wyatt
We are all migrants or the descendants of migrants. LAST touches on the slippage that a change of place can bring with time. The piece features composition, improvisation and conducting, framed by a recording of Kraabel’s song for Robert Wyatt’s voice.
The group will play LAST in the first set and improvise in the second set.
Takings from this event will be divided equally among the musicians and the refugee charity Care4Calais
Saxophonist and composer Caroline Kraabel is committed to improvisation as a way of living and working, making music in unexpected ways and places, but also composing and playing written music. She has worked with Anri Sala, Maggie Nicols, Andrea Zarza Canova, Evan Parker, Annie Lewandowski, John Tchicai, Cleveland Watkiss and Susan Alcorn, among many fine artists, and was a director of the London Musicians Collective, which created Resonance 104.4fm, London’s art radio station.
Caroline Kraabel has been playing with and conducting the London Improvisers Orchestra for many years, exploring improvisation and conducted improvisation for large groups.
John Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, Mulatu Astatke and many others.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment
Maggie Nicols joined London's legendary Spontaneous Music Ensemble in 1968 as a free improvisation vocalist. She then became active running voice workshops with an involvement in local experimental theatre. She later joined the group Centipede, led by Keith and Julie Tippets and in 1977, with musician/composer Lindsay Cooper, formed the remarkable Feminist Improvising Group. She continues performing and recording challenging and beautiful work, in music and theatre, either in collaborations with a range of artists (Irene Schweitzer, Joelle Leandre, Ken Hyder, Caroline Kraabel) as well as solo.
Mark has worked with a host of renowned musicians including Derek Bailey, Henry Grimes, Mathew Shipp, Evan Parker, Roswell Rudd, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.
In situations using composition Mark works in a number of projects including Christian Marclay’s Everyday for film and live music and John Butcher’s Tarab Cuts - both projects have performed major festivals throughout Europe and Brazil. He has performed works by guitarist John Coxon in Glasgow and Sydney playing with the Scottish and Sydney Symphony Orchestras. With New York’s ICE Ensemble he has performed John Zorn’s The Tempest in London and at Huddersfield New Music Festival.
Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, and the ensembles of Sarah Gail Brand, including a long-standing duo. He has a lengthy discography including a solo album, has performed internationally and played at major festivals including, Nickelsdorf, Ulrichsburg, Womad and notably at Glastonbury with legendary saxophonist John Tchicai.
"ubiquitous, diverse and constantly creative, drummer Mark Sanders always outdoes himself, whether playing with restraint or erupting like a dynamo." Bruce L Gallenter, Downtown Music Gallery. NY