Friday 7 April 2017, 7.30pm
Les Filles de Illighadad are a group that hail from the village of Illighadad in the region of Abalak. They present a curious and original approach to two very different sides of Tuareg music – dreamy ishumar acoustic guitar sessions, and the hypnotic polyphonic tende drum that inspires it. Their intoxicating debut album – out now on the reliably excellent Sahel Sounds – was recorded during long sessions in the sweltering heat of their hometown; a world far away from wi-fi where the suns’ passage, the movement of the animals and the sound of the crickets measures the length of the day.
The two young woman at the core of the group – guitarist Fatou Seidi Ghalia and vocalist Alamnou Akrouni – are proof that the heavily male-dominated guitar music of Niger might be becoming a thing of the past. Their raw, minimal and melancholy-laced sound is something of wonder.
“A gentle, almost sensual take on the Tuareg blues... delicate webs of repetitive groove that couldn’t come from anywhere else... This is subtle, yet deeply personal music.” - Cyclic Defrost
Cam Deas is a London-based musician. Performing as a solo acoustic guitarist since 2008, he's recently been seen working mostly with electronics and acoustic instruments to create a kind of live musique-concrete. However his solo guitar work stems from another area, influenced by the American Primitive scene surrounding John Fahey and Robbie Basho as well as the freely improvised works by the likes of Derek Bailey. This concert will be his first solo acoustic guitar concert since 2013.