Sunday 27 March 2016, 8pm
Phil Minton / voice
Max Eastley / the Arc (an electro-accoustic monochord invented and developed by him)
David Toop / guitar, steel guitar and flutes
Roger Turner / drums and percussion
Max Eastley is an internationally recognized artist who combines kinetic sculpture and sound into a unique art form. He is well known as a musician and has played many solo concerts and also played with numerous other musicians such as David Toop, Evan Parker, Steve Beresford, Aleks Kolkowski and Rhodri Davies.
Phil Minton comes from Torquay. He played trumpet and sang with the Mike Westbrook Band in the early 60s - Then in dance and rock bands in Europe for the later of part of the decade. He returned to England in 1971, rejoining Westbrook and was involved in many of his projects until the mid 1980′s.
For most of the last forty years, Minton has been working as an improvising singer in lots of groups, orchestras, and situations. Numerous composers have written music especially for his extended vocal techniques. He has a quartet with Veryan Weston, Roger Turner and John Butcher, and ongoing duos, trios and quartets with above and many other musicians.
Since the eighties, His Feral Choir, where he voice-conducts workshops and concerts for anyone who wants to sing, has performed in over twenty countries.
“Phil Minton is best known for his startling vocal improvisations. On his new solo CD, this sensible looking man proffers 37 thin slices of his unfettered soul. Not long ago these croaks, burps, high-pitched exhalations, deep-throated drones and shreds of garbled half-language would have seen Minton either burnt or hailed as an emissary of God.” – Stewart Lee, The Sunday Times
David is a musician, author, professor and Chair of Audio Culture and Improvisation at London College of Communication.
He has published five books including Ocean of Sound, Rap Attack and Sinister Resonance. His first album, ‘New and Rediscovered Musical Instruments’, was released on Brian Eno’s Obscure label in 1975 and he has collaborated with artists ranging from John Latham, Bob Cobbing, Carlyle Reedy and Ivor Cutler to Rie Nakajima, Evan Parker, Max Eastley and Akio Suzuki.
He has recently completed part one of Into the Maelstrom: Music, Improvisation and the Dream of Freedom, a two-volume work on free improvisation. Exhibitions and events he has curated include Music/Context Festival of Environmental Music for the LMC (1978), Sonic Boom for the Hayward Gallery (2000), sound curation for Radical Fashion at the V&A (2000-2001), Playing John Cage at the Arnolfini (2005) and Blow Up at Flat Time House (2010).
Over decades Roger Turner has brought the renowned volcanic power and finely honed precision of his drum work to ensembles that have often forged real connections with musicians both sides of the Atlantic. In addition he has worked extensively in the microscopic laboratory of the acoustic duo situation where he acquired a highly developed sense of detail and of dynamic control. One of that select group of world-class players who have collectively redefined the language of contemporary percussion. In Turner's hands minute inflections of tension can shape the group's musical direction and galvanise a new level of audience experience.