Tuesday 24 October 2017, 7.30pm
'Paradise Yard', is an ensemble formed by Sue Lynch in 2016, as part of The Horse Improvised Music Club’s programme and has featured collaborations with Adam Bohman on text. The ensemble combines written and improvised horn lines with electronics, amplified objects, percussion, vocals and spoken word, including new text collages by Adam Bohman. Previous concerts have included dedications to women electronic pioneers including Delia Derbyshire and Daphne Oram. This ensemble is formed to suit the compositions and features guest musicians. The line-up will include Adam Bohman, Hutch Demouilpied, Sharon Gal, Greta Pistaceci, Sue Lynch and Crystabel Riley
Paradise Yard musicians:
Crystabel Riley ,
Sue Lynch runs ‘The Horse Improvised Music Club’ with Adam Bohman and Hutch Demouilpied.
Lynch is currently a member of David Petts-‘Remote Viewers’, with John Edwards, Mark Sanders, Caroline Kraabel , Adrian Northover and David Petts. She also performs with Adam Bohman, Eddie Prevost, Hutch Demouilpied, Richard Sanderson, Steve Noble and Sharon Gal. She has recently performed as part of Tarek Atoui’s ‘Reverse Collection’ at The Tate Modern and with Tristan Honsinger. She has also performed with the Cambodian Space Project and currently performs Psychedelic Afro Beat Sudanese band ‘The Scorpios’.
Adam Bohman has been operating on the outer fringes of underground music for decades. Working with home-built instruments, found objects, tape cut-ups, collages, ink drawings and graphic scores. Favouring acoustic sounds over electronics, he explores the minute tendrils of sounds coaxed from any number of non-musical instruments and objects. He is a member of British experimental groups, Morphogenesis, The Bohman Brothers, Secluded Bronte, and The London Improvisers Orchestra. Adam's music is unique and experimental, incorporating Fluxus japery, musique concrete, sound poetry and free improvisation.
Greta Pistaceci is a multidisciplinary artist and improviser. In her musical performances, be they solo or group improvisations, she is equally at home in unrestrained noise and excess as in sparse, contemplative and controlled sound.
Hutch is a composer, sound designer and musician who is based in the UK. She has recently completed the soundtrack for the feature film The Levelling by director Hope Dickson Leach. “Hutch Demouilpied’s excellent, sparingly used score suddenly takes on a keening electro edge….” Variety Magazine 2017
As an accomplished musician she plays trumpet and has her own music released and has performed with Sue Lynch, Richard Sanderson, Steve Noble, Mark Sanders and Eddie Prevost amongst others. She co-promotes the Horse Improvised Music Club and her podcast Improvisor is part of the Horse Festival in January 2018.
Her work relates to sound, architecture, live performance and participatory art, investigating presence, embodiment, the psychology of sound and its relationship with space.
Sharon performs solo and on-going collaborations with David Toop, Steve Beresford, Phil Minton, Alex Ward, Yoni Silver, Anat Ben-David, Lina Lapelyte and Andie Brown.
She also directs a series of large group participatory compositions/performances, examining the inter-relations between people and place. These pieces are site specific; evolving collaboratively and inviting participation from the public. They offer artistic engagement, play, and creative exchange, as a means to learning and bringing together, presenting a democratic space and collective ownership. L'esprit d’escalier – for voices in a staircase, Toy Orchestra – for children and adults, Room to Breathe - for balloons and instruments, Long Drone – for many instruments, Gals with Guitars – for female guitar players, Sound Out – for a large ensemble of voices in a public space and Feel the Noise for a large ensemble of electric guitars and micro amps.
Sharon is a co-founder of Resonance 104.4 FM arts radio.
Her music was released by various labels: The Tapeworm, American Tapes, Ash International, A Silent Place Records, Chocolate Monk, Emanem Records, Ecstatic Yod, Paradigm Records, My Dance the Skull, Wild Silence, Fractal Meat Cuts and Visible Near Midnight Recordings.
She performed in the UK & internationally including; The V&A, Science Museum, ICA, The Whitechapel Gallery, Arnolfini Gallery, Tate Modern & Tate Britain, MACBA and Colour Out of Space, Borealis and Supernormal festivals. http://www.sharon-gal.com/
During the late naughties Crystabel Riley toured Japan and Europe using drums, electronics and make-up in noise trio Maria and the Mirrors. This was the start of her interest in patterns on skins - human and drum.
She was later encouraged - and welcomed - into the Horse Improvised Music Club by Daniel Thompson and Sue Lynch respectively. This instantly consolidated into weekly playing with Sue, who she still collaborates with.
She is currently working on the multi-format duo project @xcrswx with Seymour Wright. This contrasts the LIVE (evolved sounds / patience / relentless) and the ANDROID (cropped media [sounds+visuals] / impatience / InstantPublication).