Tuesday 22 August 2017, 7.30pm
“You can be the flashiest bastard in the world but what matters is how you hit the beat.” – Terry Day
Double-helping of the great drummer Terry Day, performing tonight in a trio alongside pianist Pat Thomas, and virtuoso percussionist Bei Bei Wang, as well as a special duo set with violinist Billy Steiger.
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann
“The Young Chinese virtuoso Wang Beibei is nothing if not flamboyant.” – The Times
Genre-defying percussionist Beibei Wang is an acclaimed international virtuoso percussionist with both Chinese and British musical education background. Beibei has enjoyed a meteoric rise in the classical music world, receiving international praise for her performances. She received double Master Degrees from the Central Conservatory of Music (China) and the Royal Academy of Music (UK). In 2014, she was listed in the top 50 Chinese musicians in the “Sound of East” project by the Chinese Ministry of Culture. In 2015, she was endorsed by the Arts Council ,England receiving an Exceptional Talent visa from British Government. Following a successful recital at SOAS ,University of London, Beibei now leads a traditional Chinese percussion workshops to promote and preserve traditional Chinese percussion at SOAS. Most recently, she was featured on the front cover of China Music Life magazine and in iD China Magzinge in 2017.
Since 2008, as a soloist, Beibei has embarked upon a number of hugely successful international tours at many international music festivals including the Edinburgh International Festival, the Lucerne Festival, the Bach Academy Musikfest Stuttgart, Colour Scape Music Festival. She has collaborated with numerous leading Orchestras worldwide, including: the BBC Symphony Orchestra (UK),the Mahler Chamber Orchestra (Germany),Orchestra dell’ Academia Nazionale di Santa Cecilia (Italy) the Toronto Symphony Orchestra (Canada), as well as conductors, including: Kent Nagano, Tan Dun, Kristjan Järvi, Muhai Tang, etc.
By exploring new possibilities and challenging assumptions from all fields, she and her collaborators have developed genre-defying projects, pushing boundaries and delighting audiences the world over.
Terry is an improviser, multi-instrumentalist, lyricist, song writer, visual artist and poet. He is a ‘first generation’ pioneer improviser from the 1960s.
A self-taught musician in a family of musicians, he began improvising on the drums with his brother in 1955. In the early 1960s he formed the Hardy Holman Day trio focusing on free improvisation. Later he became part of Kilburn & the Highroads, a band led by Ian Dury.
Sharing their interest in visual art and painting, Terry and Ian both studied at Walthamstow School of Art and later at the Royal College of Art, London. As an art student in the 1960s he was a pioneer of improvisation, free jazz & experimental music.
Day also formed a duo with Derek Bailey in the late 1960s and was a regular member of The Continuous Music Ensemble, later known as The People Band. Since then he has collaborated with many musical luminaries, groups, dancers, painters, poets and performed in theatre, events, and rock & roll.
Billy Steiger was born in Howth on the 16th December, 1986. Now he plays the violin.
“Then he sat down by a pond and began to play a tune. As he played, the most extraordinary thing happened. One by one the fish in the pond began to jump out and fly about in the air. And what is more, they were all different colours and they were singing to the music.”
Patrick, Quentin Blake.