Friday 18 November 2016, 8pm
Paul Abbott, Cara Tolmie, Will Holder and Seymour Wright will perform as part of Paul’s Sound and Music / Cafe OTO ‘Embedded’ Residency.
Seymour Wright lives in London. His practice is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique – actual and potential. This is an on-going, rigorous and exhaustive exploration of imaginations, instrument, spaces and strucutures. The energy of this learning is applied to various collaborations and contexts to access/share what he has called the ‘awkward wealth of investigation’.
His solo work is documented on three widely acclaimed self-released collections Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).
His current collaborations include: abaria with Ute Kanngiesser; a duet with Crystabel Riley; [Ahmed] with Antonin Gerbal, Joel Grip and Pat Thomas; GUO with Daniel Blumberg; The Experimental Library with Evie Ward; XT with Paul Abbott; lll人 with Daichi Yoshikawa and Paul Abbott, a 'new jazz' trio with John Chantler and Steve Noble; an on-going inter-textual quartet with Paul Abbott, Cara Tolmie and Will Holder; a trans-atlantic duet with Anne Guthrie, and, with Jean-luc Guionnet a project addressing an imaginary lacunae in Aby Warburg's Atlas Mnemosyne. Bits of his writing has been published in C//A, Sound American and The Wire.
Typographer Will Holder produces oral and printed publications with artists and musicians, and is preoccupied with conversation as model and tool for a mutual and improvised set of publishing conditions – whereby the usual roles of commissioner, author, subject, editor, printer and typographer are improvised and shared, as opposed to assigned and pre-determined. Particular attention is placed on an oral production of value and meaning around cultural objects, and how live, extra-informational qualities might be analyzed, documented and scored.
Based in Glasgow, Holder is editor of F.R.DAVID, a journal concerned with reading and writing in the arts (published by de Appel, Amsterdam, between 2007 and 2016). He co-curated TalkShow (with Richard Birkett) at the ICA, London, an exhibition and season of events concerning speech and accountability. Together with Alex Waterman, he edited and typeset Yes, But Is It Edible?, The music of Robert Ashley, for two or more voices (Vancouver: New Documents, 2014), last in a series concerned with a musicological perspective on scoring speech, and the role of printed matter in collective forms of reading and writing: Agapē (MiguelAbreuGallery,2007); Between Thought and Sound (The Kitchen, 2008); The Tiger’s Mind (with Beatrice Gibson) (Sternberg Press, 2012). Holder is a 2015 recipient of a Paul Hamlyn Foundation Award, and has founded a (“uh”) books, Glasgow.
Paul Abbott is an artist and musician based in London, working through questions and feelings connecting music and language: using real and imaginary drums, synthetic sounds, performance and writing.
His current collaborations include XT & lll人 with Seymour Wright and Daichi Yoshikawa, Falls with Keira Greene, ULAPAARC with Cara Tolmie and an ongoing project with Will Holder. A series of solo performances in Cafe OTO’s project space are documented here. Recent releases include solo's Sphuzo, qno, & Vagus and Pah' (XT), and vjerhanxsk (lll人). He is one of the co-editor’s of Cesura//Acceso and was one of the Sound and Music “Embedded” resident artists at Cafe Oto 2015-2016.
In addition Abbott has collaborated and performed with numerous other artists and musicians, including: Benedict Drew, Pat Thomas, Ute Kanngiesser, Billy Steiger, Bill Orcutt, Danny Haywood, Joel Grip, Brandon La Belle, Eddie Prevost, Steve Noble, Sebastian Lexer, Evan Parker and Otomo Yoshihide.
Cara Tolmie works from within the intersections of performance, music and moving image. Her works probe the site-specific conditions of performance-making by finding ways to vocalise and place her body that access the political and poetic capabilities of physical, written and musical languages.
She collaborates regularly on projects with Paul Abbott, Kimberley O’Neill / France- Lise McGurn and Patrick Staff and has contributed to many other collective endeavours both in performance-making, pedagogic and expanded research practice. She is also part of the editorial collective for Cesura//Acesso, a journal for music, poetics and experimental politics.