Thursday 6 July 2017, 7.30pm
A night of alone cello, drums and saxophone from Ute Kanngiesser, Paul Abbott, and Seymour Wright.
Paul Abbott - Sphuzo
Sphuzo is Abbott's third solo record, released recently in May this year. Sphuzo comes as text and sounds via an A6 booklet and digitally, via Bandcamp. For this event copies of the Sphuzo booklet will be available. Abbott will use Sphuzo as a source for a solo performance for this event.
Ute Kanngiesser - Geader
Seymour Wright - Is This Right?
Paul Abbott is an artist and musician based in London, working through questions and feelings connecting music and language: using real and imaginary drums, synthetic sounds, performance and writing.
His current collaborations include XT & lll人 with Seymour Wright and Daichi Yoshikawa, Falls with Keira Greene, ULAPAARC with Cara Tolmie and an ongoing project with Will Holder. A series of solo performances in Cafe OTO’s project space are documented here. Recent releases include solo's Sphuzo, qno, & Vagus and Pah' (XT), and vjerhanxsk (lll人). He is one of the co-editor’s of Cesura//Acceso and was one of the Sound and Music “Embedded” resident artists at Cafe Oto 2015-2016.
In addition Abbott has collaborated and performed with numerous other artists and musicians, including: Benedict Drew, Pat Thomas, Ute Kanngiesser, Billy Steiger, Bill Orcutt, Danny Haywood, Joel Grip, Brandon La Belle, Eddie Prevost, Steve Noble, Sebastian Lexer, Evan Parker and Otomo Yoshihide.
“For over 10 years, I have only played unscripted/improvised music. I have experimented with the sound of the cello, limiting myself to the alive material at hand: vast and complicated layers within the instrument and myself; and to let this music evolve continuously in relationship with others. It relates to the process of uncovering an endless multiplicity of coexisting sense perspectives. And it deals with the energy that this gives rise to. For me, it is the most exciting place to play music from.”
Seymour Wright lives in London. His practice is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique – actual and potential. This is an on-going, rigorous and exhaustive exploration of imaginations, instrument, spaces and strucutures. The energy of this learning is applied to various collaborations and contexts to access/share what he has called the ‘awkward wealth of investigation’.
His solo work is documented on three widely acclaimed self-released collections Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).
His current collaborations include: abaria with Ute Kanngiesser; a duet with Crystabel Riley; [Ahmed] with Antonin Gerbal, Joel Grip and Pat Thomas; GUO with Daniel Blumberg; The Experimental Library with Evie Ward; XT with Paul Abbott; lll人 with Daichi Yoshikawa and Paul Abbott, a 'new jazz' trio with John Chantler and Steve Noble; an on-going inter-textual quartet with Paul Abbott, Cara Tolmie and Will Holder; a trans-atlantic duet with Anne Guthrie, and, with Jean-luc Guionnet a project addressing an imaginary lacunae in Aby Warburg's Atlas Mnemosyne. Bits of his writing has been published in C//A, Sound American and The Wire.