Wednesday 15 November 2017, 7.30pm, OTO Project Space
SOLO:DUO:TRIO is a monthly night of improvised performances bringing together a wide variety of musicians and artists. Each show features a solo, a duo, and a trio performance where performers are invited to present something new or play with a person they haven’t played with before in an intimate and open environment.
SOLO: Kim Macari
DUO: Billy Steiger & Phil Maguire
TRIO: Ute Kanngiesser, Steve Noble & Seymour Wright
£7 on the door (£5 members)
Originally from Fife, Scotland and now based in London, Kim Macari is a musician and composer immersed in the jazz and improvised music scene. Whether as a performer, teacher or a producer, her passion lies in the strength of improvised music as a means of expression and a form of empowerment and freedom.
Announced as one of 8 recipients of the Take Five initiative run by Serious for 2017, she is recognised for her work both as a performer and as an industry professional. She is currently Chair of Jazz from Scotland, on the teaching faculty of the National Youth Jazz Collective and a core team member of the Jazz100 project.
Phil Maguire is a fiercely experimental electronic musician, improvisor and sound artist. Malfunction permeates his music, utilising sine tone oscillators, noise, found sound, and obsolete audio technology to create intimate, engrossing sonic environments. Phil performs extensively in the UK scene and internationally. Recent performances include Sonorities Festival, FIME (Sao Paulo), De Ruimte (NL), Electric Spring Festival (UK), and Union Chapel (UK).
Billy Steiger was born in Howth, Ireland on the 16th December, 1986. Now he plays on the violin.
“Then he sat down by a pond and began to play a tune. As he played, the most extraordinary thing happened. One by one the fish in the pond began to jump out and fly about in the air. And what is more, they were all different colours and they were singing to the music.”
Patrick, Quentin Blake.
Seymour Wright – saxophonist, investigator, artist – lives in London. His practice is about the saxophone – music, history and technique – actual and potential; an on-going, rigorous and exhaustive exploration of the instrument. The energy of this learning is applied to various collaborations and contexts to access/share what he has called the ‘awkward wealth of investigation’. His work is documented on three widely acclaimed self-released collections Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).
As well as XT, his current collaborations include lll人 (with Daichi Yoshikawa and Paul Abbott), abaria (with Ute Kanngiesser), [Ahmed] (with Antonin Gerbal, Joel Grip and Pat Thomas), GUO (with Daniel Blumberg), S.T.E.P.S. (with Evie Ward), an on-going ‘quartet’ collaboration with Paul Abbott, Cara Tolmie and Will Holder, and, a trans-atlantic collaboration with Anne Guthrie.
Steve Noble is London's leading drummer, a fearless and constantly inventive improviser whose super-precise, ultra-propulsive and hyper-detailed playing has galvanized encounters with Derek Bailey, Matthew Shipp, Ishmael Wadada Leo Smith, Stephen O'Malley, Joe McPhee, Alex Ward, Rhodri Davies and many, many more.
In the early eighties, Noble played with the Nigerian master drummer Elkan Ogunde, Rip Rig and Panic, Brion Gysin and the Bow Gamelan Ensemble, before going on to work with the pianist Alex Maguire and with Derek Bailey (including Company Weeks 1987, 89 and 90). He was featured in the Bailey's excellent TV series on Improvisation for Channel 4 based on his book ‘Improvisation; its nature and practise’. He has toured and performed throughout Europe, Africa and America and currently leads the groups N.E.W (with John Edwards and Alex Ward) and DECOY (with John Edwards and Alexander Hawkins).
“For over 10 years, I have only played unscripted/improvised music. I have experimented with the sound of the cello, limiting myself to the alive material at hand: vast and complicated layers within the instrument and myself; and to let this music evolve continuously in relationship with others. It relates to the process of uncovering an endless multiplicity of coexisting sense perspectives. And it deals with the energy that this gives rise to. For me, it is the most exciting place to play music from.”