Locusts follows up the highly acclaimed ‘Music for Church Cleaners’ release from Irish artist Áine O’Dwyer. Whilst continuing to explore the church organ as the primary instrument, this release steers away from Church Cleaners in both sonic content and themes explored.
Recorded & performed in 2015 at St James’s Church, Barrow-in-Furness, England & The First Unitarian Congregational Society Church, Brooklyn Heights, New York. Locustspresents itself as a celebration of the pipe organ’s acoustical abilities of tapping into electronic pulses along with O’Dwyer’s liturgical memories which are at times, pushed into horrorthon states.
Áine O'Dwyer, (b. Co.Limerick, Ireland) lives and works between Ireland and the UK. She graduated from the Limerick School of Art and Design in 2006 and the Slade School of Art in 2011. She creates live and recorded events which embrace the broader aesthetics of sound and its relationship to environment, time, audience and structure. The notion of a holding space as-extension-of-instrument is a cornerstone of her artistic investigation and the crux of her live performances. Her most recent live works include Civil Twilight (Rhubaba Gallery, Edinburgh 2017), Down at Beasty Rock (CCA, Glasgow 2017), Poems for Daedalus (Daedalus street, Athens 2018) and Pianowalk (Novas Frequências, Rio de Janeiro 2018). Notable releases include Music for Church Cleaners, Beast diaries, Locusts, Gegeinschein, Gallarais and Poems for play which was released on her publishing imprint Cloch.