"In 1980, when these four pieces were recorded, John Zorn and I had been playing together for about three years. Four pieces from two different concerts are presented in their entirety. Now I wouldn't dream of touching them, but from my 80's notebook scribbling I can see that although we certainly were enamoured with these duets and thought they were better than anyting anybody else was doing (a musicians right!) we at the same time saw the process as sort of dispensible: another duet concert would be coming around the corner, it might be even better, maybe one day a good recording might get made out of one. Now I listen to these pieces and hear them as complete and perfect, and I wonder how we were able to create them in the midst of such confusion, insecurity and indifference. But hey, the pay was great! My notes indicate John and I split $30 for one of these shows." - Eugene Chadbourne, 1996.
John Zorn / saxophones, balloons, bucket
Eugene Chadbourne / dobro, acoustic & electric guitar, contact microphones
Recorded in the state of New York 1980.
Available as a 320k MP3 or 16bit FLAC download.
1. In Memory Of Nikki Arane - 12:35
2. In Memory Of Nikki Arane - 20:18
3. In Memory Of Nikki Arane - 10:48
4. In Memory Of Nikki Arane - 18:08
Starting out playing rock and roll guitar, Chadbourne quickly grew bored with the form's conventions, going on to study the blues, country, bluegrass, free jazz, and noise before synthesizing those heterogeneous influences into a unique style of his own.
“one of the underground community's most well-known and well-regarded eccentrics.” All Music Guide
Chadbourne fronted Shockabilly (1982–1985) with Mark Kramer (bass/organ) and David Licht (drums) and has worked with numerous artists including John Zorn, Fred Frith, Derek Bailey, Han Bennink, Carla Bley Band, Paul Lovens, Toshinori Kondo, Kommissar Hjuler und Frau, Camper Van Beethoven, Jello Biafra, Turbonegro, They Might Be Giants, Sun City Girls, Violent Femmes, Aki Takase, Walter Daniels, Kevin Blechdom, Biff Blumfumgagnge, Zu and Jimmy Carl Black.
He owns the Tzadik record label and has worked with a large number of experimental musicians, particularly in improvised music, modern classical music and jazz, though he has produced music in most styles. As a child, he played piano, guitar and flute. He went to college in St. Louis where he discovered free jazz, before dropping out and moving to Manhattan. There he gave concerts in his small apartment, playing a variety of reeds, duck calls, tapes, etc; almost anything. In the mid 1980s he signed to the Elektra Nonesuch label. Since then, he has released a very large number of records, usually putting out several each year.