Maxed out and burning hot nasty, Electric Rag brings together the electric organs, electronics and alto sax of Jean-Luc Guionnet, with the closely amplified drums and percussion of Will Guthrie.
After years of playing together in the minimalist pointillist free jazz noise core trio ‘The Ames Room’ (with Clayton Thomas on bass) Electric Rag offers up another point of view on a musical history of nearly 15 years of playing together.
The 8 titles of Electric Rag draw on their various experience in electronic music, free improvisation and experimental sound research, however the music is deeply rooted in their love of jazz, in its most potent, aggressive and antisocial form.
Will Guthrie is an Australian drummer / percussionist living in France. He works in many different settings of music: live performance, improvisation and studio composition using various combinations of drums, percussion, objects, junk, amplification and electronics.
He plays solo and in various projects such as THE AMES ROOM, ELWOOD & GUTHRIE & THE SOMMES ENSEMBLE. His music has been released on labels such as Gaffer Records, Erstwhile, Clean Feed, 23five, Editions Mego, Ipecac and his own label Antboy Music.
Regular collaborators past and present include Oren Ambarchi, James Rushford, Jean-Luc Guionnet, Mark Fell, Roscoe Mitchell, Anthony Pateras, Chulki Hong, Jérôme Noetinger, Keith Rowe, David Maranha, Ava Mendoza, the film maker Hangjun Lee and choreographer/dancer Mette Ingvartsen.
Jean-Luc Guionnet is a Parisian artist whose practice encompasses composition, improvisation, filmmaking, and philosophy. He has toured extensively as a solo saxophonist, and has spent the past 15 years performing on on historic church organs around the world. For him, music is one of many methods by which to test reality. Having studied musique concrète under Iannis Xenakis, his acousmatic sensitivities reveal themselves through the reverence that guides these interrogations. Approaching his instruments as imperfect vehicles of artificial intelligence, his attentive engagement applies speculative pressure to the expressive limits of their material properties. In his hands, design flaws and repressed qualities transform into catalysts for novel sonic emanations, and the simplest of processes are mobilized to extract infinitesimal acoustic detail. Although a formidable solo performer, Guionnet is no stranger to collaboration. In addition to his ongoing relationship to the seminal French improvisation group Hubbub, he has worked extensively with artists such as Taku Unami, Eric La Casa, Toshimaru Nakamura, Will Guthrie, and Mattin.