A pair of solo sets from two of the most individual voices exploring new forms of percussion. Both artists transgress the boundaries between acoustic and electronic, analog and digital, and find themselves in a curious midway between various forms of radical music - free-jazz, footwork, and music concrete.
Paul Abbott / real and imaginary drums
Jake Meginsky / electronics
1. Paene (Paul Abbott) - 35:28
2. Live at Cafe OTO I (Jake Meginsky) - 6:23
3. Live at Cafe OTO II (Jake Meginsky) - 39:28
Recorded live at Cafe OTO on Monday 9th April 2018 by Shaun Crook. Mixed and mastered by James Dunn. Artwork by Oli Barrett.
Available as 320k MP3 or 24bit FLAC
Electronic Musician, Percussionist and Composer Jake Meginsky has collaborated and performed with such artists as Milford Graves, Alvin Lucier, Joan Labarbara, Vic Rawlings, Greg Kelley, Bhob Rainey, Joe McPhee, Thurston Moore, William Parker, Daniel Carter, Paul Flaherty, Arthur Brooks, Bill Nace, and John Truscinski.
Meginsky frequently collaborates with choreographers and has worked with Cori Olinghouse, Paul Matteson, Jen Nugent, Susan Sgorbati, Katie Martin, and Nora Chipaumire. He has a longstanding artistic relationship with Gwen Welliver, and recently composed the score for her new work, “What a Horse”. Welliver and Meginsky will debut a new work at the Ginbney, NYC in 2017.
David Keenan called Meginsky’s 2014 solo record, L’appel Du Vide, “a hallucinatory electro percussion masterpiece” and in the WIRE Magazine review of the album, Nick Cain wrote, “the album uses little more than a couple of sounds, extracting often head spinning complexity from a minimum of means.” His newest solo release, Seven Psychotropic Sinewave Palindromes, was listed in "FACT Magazine’s top 25 albums of 2016 so far".
His recordings can be found on NNA (Burlington, VT), Feeding Tube Records (Northampton, MA), Rel Records (Providence, RI), Open Mouth Records (Northampton, MA), Hells Half Halo (Seattle, WA), Wooden Finger Records (Belgium), Ultra Eczema Records (Belgium), and Ecstatic Peace Records (Northampton, MA). He remixed Body/Head’s (Kim Gordon & Bill Nace) “Last Mistress” for Matador Records (NYC).
Paul Abbott is an artist and musician based in London, working through questions and feelings connecting music and language: using real and imaginary drums, synthetic sounds, performance and writing.
His current collaborations include XT & lll人 with Seymour Wright and Daichi Yoshikawa, Falls with Keira Greene, ULAPAARC with Cara Tolmie and an ongoing project with Will Holder. A series of solo performances in Cafe OTO’s project space are documented here. Recent releases include solo's Sphuzo, qno, & Vagus and Pah' (XT), and vjerhanxsk (lll人). He is one of the co-editor’s of Cesura//Acceso and was one of the Sound and Music “Embedded” resident artists at Cafe Oto 2015-2016.
In addition Abbott has collaborated and performed with numerous other artists and musicians, including: Benedict Drew, Pat Thomas, Ute Kanngiesser, Billy Steiger, Bill Orcutt, Danny Haywood, Joel Grip, Brandon La Belle, Eddie Prevost, Steve Noble, Sebastian Lexer, Evan Parker and Otomo Yoshihide.