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Paul Abbott & Pat Thomas – 28.4.16

First meeting of pianist Pat Thomas and drummer Paul Abbott. Abbott’s affective concerns find a perfect partner in Thomas and his signature smack-palm approach. Reminiscent of Milford Graves’ ‘Percussion Ensemble’ but replace the rather serious gong with jovial and dissonant piano. Take a deep breath because there aren't many moments to come up for air in here. 

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Paul Abbot / drums

Pat Thomas / piano

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Tracklisting:

1. 28.4.16 - 31:30

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Recorded by James Dunn on Thursday 28th of April 2016. Mixed & mastered by James Dunn. Plants by Hamish Dunbar. 

Available as 320k MP3 or 24bit FLAC  

Pat Thomas

Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill. 

"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann 

Paul Abbott

Paul Abbott works with real and imaginary drums, synthetic sounds, performance and writing: exploring how sounds, signs and the physical body effect each other in experimental musical play.

Recent and ongoing collaborations include—XT with Seymour Wright; F.R.David with Will Holder; Rian Treanor Duo; RP Boo Trio with XT; The Creaking Breeze Ensemble with Nathaniel Mackey, Ute Kanngießer, Evie Ward, Seymour Wright and Billy Steiger; yPLO with Micheal Speers; Falls with Keira Greene and performances with Cara Tolmie.

Paul has performed internationally at Cafe OTO, Talbot Rice Gallery, Whitstable Biennale, Whitechapel Gallery, Raven Row, Tate Modern, Counterflows, Next Festival, KW Institute Berlin, Serralves Porto, Empty Gallery HK. He has records released by OTORoku, Empty Editions, Pleasures of The Text, and published with Cesura//Acceso and F.R.David. Residencies include Cafe OTO, KW Institute, Empty Gallery.

Recent releases include—Deorlaf X (XT), Very Good* (FR David, Will Holder), Ductus (solo), 31.12.18 (XT/RP Boo) Palina’Tufa (XT) and Stop Constant. He was one of the co-editor’s of Cesura//Acceso and a Sound and Music “Embedded” resident artist at Cafe OTO 2015-2016.

www.paulabbott.net