Rare performance from drummer/percussionist Toshi Tsuchitori - joined by Seymour Wright and Ute Kanngiesser for a special late matinee. Anyone who's enjoyed Tsuchitori's sought after solo records will know his playing is intuitive, performative and totally hardcore. Matched with the huge vocabulary of Wright and Kanngiesser, the trio perfectly balance tension, detail and spiral-armed joy.
Toshi Tsuchitori / percussion, vocals
Ute Kanngiesser / cello
Seymour Wright / saxophone
1. 14.2.16 - (40.36)
Recorded by Shaun Crook at Cafe OTO on Sunday 14th February 2016. Mixed by Paul Abbott. Mastered by James Dunn. Photo by Dawid Laskowski.
Available as a 320k MP3 or 24bit FLAC download
Toshi Tsuchitori, born in 1950 in the Japanese prefecture of Kagawa, began playing the traditional Japanese drums at an early age. Since the Seventies, he has performed internationally with specialists of free form improvisation such as Milford Graves, Steve Lacy, Derek Baily and others. In 1976, he worked with Peter Brook’s theatre group for the first time and has since written the music for the productions of “Ubu“, “The Conference of the Birds“, “Los“, “The Mahabharata“, “The Tempest“ and “The Tragedy of Hamlet“. He has studied traditional music styles of around the globe and presents the results of his research into the earliest manifestations of Japanese music with which he deals since ten years at his performances. A series of prehistoric Japanese sounds under the titles “Dotaku“, “Sanukaito“ and „Jomonko“ were published under his name as well as two books: His autobiography, “Spiral Arms”, and a study on prehistoric Japanese music entitled ”The Sounds of Jomon“.
Ute Kanngiesser is a London based musician from Germany. She has played classical cello since early childhood and turned to improvisation and experimental music while training in physical theatre and dance in Berlin. Since then, she has thoroughly deconstructed her classical roots and focussed on the immediate material of her instrument - its limitless resonance and pulse, its potential for an elemental music that dissolves conventional notions of rhythm and pitch and what it means to be lyrical.
Most recent collaborations have been with Seymour Wright, Crystabel Riley, Paul Abbott, Keira Greene, Billy Steiger, Evie Ward, Daniel Blumberg, Tom Wheatley, Jim White, Taku Sugimoto, Minami Saeki, Joe McPhee, David Ornette Cherry, and Steve Noble.
Her music has been released on Otoroku, Matchless, Earshots, Another Timbre and Mute. www.utekanngiesser.com
Seymour Wright’s work is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique – actual and potential.
His solo work is documented on three widely-acclaimed collections - Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).
Current projects include: abaria with Ute Kanngiesser; [Ahmed] with Antonin Gerbal, Joel Grip and Pat Thomas; @xcrswx with Crystabel Riley; GUO with Daniel Blumberg; The Experimental Library with Evie Ward; XT with Paul Abbott; a trans-atlantic duet with Anne Guthrie, and, with Jean-luc Guionnet a project addressing an imaginary lacunae in Aby Warburg's Atlas Mnemosyne.
His writing has been published in C//A, Sound American and The Wire.