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Olavi Laiho’s aliterative anti-fascist text written in 1944 in Oulu prison just before his execution. First time publsihed in its original Finnish and in English translation. Introduction by Minna Henriksson.   Olavi Laiho (1907-1944) was a writer, political organiser, and communist agitator, who was first imprisoned in 1932 – a time when ‘communist laws’ were in effect in Finland – for producing political material and running an illegal printing press in his home. He opposed Finland’s WW2 era fighting alongside Nazi Germany against the Soviet Union, edited illegal journals, but also planned armed resistance and facilitated correspondence between the party’s leadership in Helsinki and the Soviet embassy in Stockholm. He managed to hide from the police from when the Continuation War broke in summer 1941 until 22nd of December 1942, when he was arrested while visiting his sister in the parish of Paimio. Laiho was sentenced to death for treason and high treason. He was executed on 2nd of September, being the last Finnish citizen to be executed in Finland.  Just a couple of weeks before his execution, Laiho wrote a remarkable essay ‘Katso Koota’ [Look at K], using only words starting with the letter K. It gives a vivid picture of the political situation of the time: the war is still ongoing, but it has become evident that Finland is on the losing side. Not knowing his execution date, Laiho eagerly awaits a new batch of books to arrive at the prison library, enjoying his coffee substitute and the sound of distant music ... ‘Katso Koota’ is an early example of Finnish modern alliterative writing, a lipogram, a literary technique in which every word must start with the same letter. Laiho’s ‘Katso Koota’ predates the French Oulipo (‘workshop of potential literature’) of the 1960s. Considering that he produced his ‘constrained writing’ under conditions of extreme political and cultural confinement, it can be considered a true form of avant-garde subversion.  Published for the first time based on the manuscript at the People’s Archives, the booklet includes its content translation, a short introduction by Minna Henriksson and two illustrations by Kaisa Junttila.  Designed by Otso Peräsaari, the book is printed in 200 copies and is produced in Kalastaman Seripaja silkscreen workshop and If By Magic risography print house. The publication is realised in the context of the Counter-Libraries exhibition at the Library of the Labour Movement, Helsinki.A5 Staplebound, Softcover, 16 pages (Silkscreen and risoprint) Rab-Rab, Helsinki, October, 2025

Olavi Laiho – Look at K

Available as 16bit FLAC or 320kbp MP3 Tracklisting: 1. Membrane 1 - 21:242. Membrane 2 - 17:54“These guys know what they’re doing and so there’s no faffing about. They’re locked in from the first seconds of Membrane 1, setting up a long, ringing sequence of notes, driven by Wastell’s metallic tam-tam murmurs. At first things are slow and sub aqueous, Wastell setting up a liquid sonic field that makes everything like it is taking place at the bottom of a cold, clear ocean. Butcher comes in sensitively at first, his breathy hisses moving through the shimmer like an eel. At around 11 minutes, he casts forth some simple, abstract phrases, before slipping back into the depths. Beins is even more circumspect and, occasionally, it’s tricky to figure out whether the electronic tones and chain-like rattles that occasionally ripple across the surface of this piece are him or one of the other two. There’s definitely something going on, however, something creating that sense of textured depth that seems, on the whole, organic but sometimes humming like a vast, dormant machine." - Paul Margree --- Burkhard Beins / feedback, 28" concert bass drum, analog synth & live-electronics John Butcher / tenor & soprano saxophones, acoustic & amplified feedbacking Mark Wastell / amplified 32" paiste tam-tam & mixer --- Recorded live at Cafe OTO, on 13 April 2014 by James Dunn. Mixed & mastered by John Butcher.

burkhard beins / john butcher / mark wastell – membrane

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