NEW IN THE SHOP

Field recording artist Jeph Jerman and percussionist and sound designer Tim Barnes offer powerful, minimal music rooted in a shared dedication to the creative act of listening. Recorded live during their 2015 visit to Non-Event in Boston, MA, Goethe is an impossibly detailed and displaced inventory of sounds composed and structured in the sonic territory of Graham Lambkin or Taku Unami.  From the Confront press release: "Across a dozen years, the duo of Jerman and Barnes has offered powerful, minimal music rooted in a shared dedication to the creative act of listening. Jerman is a veteran of the creative music scenes in Denver and Seattle, and in more recent years has been thoroughly investigating the sonic possibilities of the desert Southwest where he lives and works. Tim Barnes's resume as a percussionist, engineer, and curator is studded with all-star collaborators including Tony Conrad, Sonic Youth, Ken Vandermark, Royal Trux, and Tower Recordings. With two acclaimed releases under their belt, Matterings (erstwhile) and Versatile Ambience (idea intermedia), Jeph and Tim feel that they are in the most productive period in the duo's history. Goethe is a live performance from their 2015 visit to Non-Event in Boston, MA." -Confront --- Jeph Jerman / tapes, objects, harmolinTim Barnes / tapes, objects, sampler --- Recorded by Ernst Karel live at Goethe Institute, Boston, MA on Matterings Tour 2015. Mastered by Chris Kincaid. With thanks to Mark Wastell. 

Effigy is Pelt's first new batch of new recordings since 2007, and their first album since Jack Rose's death in 2009. Simultaneously frenetic and meditative, it's a raga seared in pulsating low-end piano, scorned and mournful strings and swarming harmonium.  “What separates Pelt … is the willful sonic escalation from monk chant and Appalachian bowed sitar to Blue Ridge mountain grinding ear-death. … They’ve not become giants; they’ve become the mountain.” - The Washington Post From the original MIE press release: MIE Records are unbelievably honoured to be releasing, the first album recorded since 2007 by the acoustic-only droners Pelt. Recorded live in June 2011 in an old yoga studio in Mount Horeb, Wisconsin and a decommissioned synagogue called the Gates of Heaven in nearby Madison, the band have laid down their most accomplished and fully realised work to date. Epic in every sense of the word, Effigy is a sprawling journey through their singular plan on the musical map. Layer upon layer of droning strings melt over never-ending harmoniums which threaten to engulf you whilst peals of gongs ring out to mesmerising effect. Effigy sees Pelt reaching their blissful sonic enlightenment. Effigy is a testament to the ancient animal shaped mounds called ‘effigy mounds’ which dot the landscape in and around Madison, Wisconsin. No one has yet managed to work out who built these creations. Over the centuries they have greatly reduced in size but still the largest can measure up to 400ft in length, and the outlines of birds, lizards, deers and bears are all clearly visible to the observer. Soil would have been carried from afar to construct these huge monuments with only crude implements to hand. The erection of the monuments would have surely have to have been carried out by practically an army of workers or inhabitants and taken a very long time to build indeed. --- Recorded by Pelt. Mixed by Jason Meagher. Mastered by James Plotkin. Artwork by Jake Blanchard. With thanks to Henry MIE. 'Ecstatically dedicated and indebted to eternal spirit of Jack Rose.'  

Long out of press mighty gamelan collab from members of US drone collective Pelt, the UK's Part Wild Horses Mane on Both Sides and New Zealand guitarist Michael Morley aka Gate. Recorded at 2012's TUSK festival in Newcastle-upon-Tyne, the huge ensemble folded up into a mid-size room in a little corner of England and tapped into the music that has long transfixed the world - but with as much raga and hillbilly influence as Indonesian. Be warned, this is not 100% holy. Soon, avain hymns give way to drones akin to those of Vibracathedral Orchestra, and low, slow tones eat at your redeeming thoughts. A one time super-group and damn were they super. Official MIE press release: "In October 2012, at the Tusk Festival at Newcastle-upon-Tyne, noise emissaries from three continents came together on a Sunday to make music for an hour or so. From the United States came Mike Gangloff, Nathan Bowles, and Patrick Best of the mighty Virginia drone collective Pelt. Representing the United Kingdom were sonic pilgrims Pascal Nichols and Kelly Jayne Jones of Part Wild Horses Mane on Both Sides. And from Oceania came the transcendent New Zealand guitarist Michael Morley of Gate and, of course, the legendary Dead C. This summit proceeded without words. Their chosen means of deliberation was the gamelan: an array of gangsa and saron metallaphones and singing bowls sprawled out on the patchwork oriental rugs; a rig of gongs; the flurry of hammers and mallets; a few dozen onlookers seated cross-legged or just laying prostrate on the floor. And everyone and everything was transported. - Brent S. Sirota ---  Recorded at TUSK Festival 2012 at Star & Shadow Cinema, Newcastle upon Tyne, UK. Live sound by Steve Nicholson and Stosh. Recording by Sam Grant. With thanks to Henry MIE.  www.tuskfestival.com