Become a member of Cafe OTO and support amazing shows, residencies and new commissions from musicians across the UK and overseas. Your membership also ensures that we can continue to present the most ambitious programme possible.

You can also purchase gift memberships by clicking the "Buy For Friend" links below. Gift memberships come in durations of 3 months, 6 months and a full year. After purchasing you will be sent a pdf voucher that you can print or forward on to the recipient at a time of your choosing.

Venue only
  • Cheaper tickets for you and a friend with no booking fees
  • Early-bird booking and previews
  • Discounts online and in the cafe
  • At least one free-to-members event each month
  • Regular member newsletter
  • MORE INFO

£10 month
£100 year

Buy
Buy for friend

Venue only

  • Cheaper tickets for you and a friend with no booking fees
  • Early-bird booking and previews
  • Discounts online and in the cafe
  • At least one free-to-members event each month
  • Regular member newsletter
  • MORE INFO

£10 month
£100 year

Buy
Buy for friend

Full membership
  • Cheaper tickets for you and a friend with no booking fees
  • Early-bird booking and previews
  • Discounts on records, books and more online and in the cafe
  • At least one free-to-members event each month
  • Three downloads each month from OTO Digital and other labels
  • Regular member newsletter
  • MORE INFO

£15 month
£150 year

Buy
Buy for friend

Full membership

  • Cheaper tickets for you and a friend with no booking fees
  • Early-bird booking and previews
  • Discounts on records, books and more online and in the cafe
  • At least one free-to-members event each month
  • Three downloads each month from OTO Digital and other labels
  • Regular member newsletter
  • MORE INFO

£15 month
£150 year

Buy
Buy for friend

Digital only
  • The best of OTO's archive
  • Three downloads each month from OTO Digital and other labels
  • New labels added regularly
  • Discounts on records, books and more from our online store
  • Regular member newsletter
  • MORE INFO

£10 month
£100 year

Buy
Buy for friend

Digital only

  • The best of OTO's archive
  • Three downloads each month from OTO Digital and other labels
  • New labels added regularly
  • Discounts on records, books and more from our online store
  • Regular member newsletter
  • MORE INFO

£10 month
£100 year

Buy
Buy for friend

Latest Downloads

Otoroku is extremely proud to present the first vinyl reissue of one of the most legendary free jazz records ever produced. Originally released in 1978 on Ogun recordings, Louis Moholo Octet’s Spirits Rejoice! is a high achievement in the movement of the era as it soars beyond oppression with a raucous and spiritually uplifting surge of movement and melody  Featuring Harry Miller, Johnny Dyani, Keith Tippett, Evan Parker, Nick Evans, Radu Malfatti and Kenny Wheeler, this is former Blue Note artist Louis Moholo’s first album under his own name and is a classic example of the cross-pollination between South African and British players. Mongezi Feza’s ‘You Ain’t Gonna Know Me ‘Cos You Think You Know Me’ alone is enough to make your life a better place. From Matthew Wright’s new liner notes:  The South African melodies, now so familiar, were wholeheartedly taken on board by the individual musicians, their unity of purpose mirroring the belief in the strength of the collective. Stunning solos, often close to the edge, feature throughout –  Evan Parker and Keith Tippett on “Shine Wherever You Are”; the contrasting trombone styles of Nick Evans and Radu Malfatti on “You Ain’t Gonna Know Me...”; the octet sounding like a full big band; and behind them, the relentlessly rhythmic urgency of the piano, bass and drums. Add to this Kenny Wheeler’s moving and all-encompassing trumpet on the elegiac “Amaxesha Osizi” and the joyous flamboyancy of “Wedding Hymn” with Parker’s relatively straight-ahead tenor and Tippett’s dextrous piano solo over a bed of riffing horns, (fast) walking bass lines and a supreme sense of swing. Louis’ early hero, Big Sid Catlett, would have loved it! This 2019 re-issue has been made with permission and in association with Ogun records. Features an exact reproduction of the original artwork and liner notes along with new liner notes from Matthew Wright. Remastered by Giuseppe IIelasi and packaged in a high gloss sleeve this is the definitive release of one of the absolute free jazz classics of the 20th Century. Edition of 1000 copies.

“Debut full length from London based 3 piece originally hailing from New Zealand (Matthew Hyland), Germany (Anja Büchele) and Romania (Dennis Debitsev) Precious Waste In Our Wake (full title written nowhere: “The Fucking Terrible Receding Shapes, We Shed Precious Waste In Our Wake”) is an endlessly beautiful, dense and chaotic crawl through so many forms it can be difficult to ascertain what is actually at play. Ostensibly a ‘rock’ band carved from the same plank as previous outfits Philosopie Queen, The Mean Streaks, etc Triple Negative have shaken a somewhat complacent London with their wildly original blend of chaos and beauty rolling around a maelstrom of politics, spite and humour. Bloodclaat Orange, Fatna Bent Lhoucine, The Associates, Aby Ngana Diop, Royal Trux, Brigitte Fontaine/Areski, and Babyfather are all somehow wished into the scenario, either suggestively, explicitly quoted or manifesting as some malformed degree of inspiration. Precious Waste features bloody-minded Schlagzeugspiel by Stephen Robinson (Aufgehoben) & Rohan P. Thomas (The Mean Streaks, Sigma Editions) + guest verses by Maria Callas/P.-P. Pasolini, Marlene Dietrich & actually existing urban foxes of Northeast & South London. Also contains “Destroyer”, the 1st song written by Cameron Bain for The Mean Streaks (2000. complete lyric sheet: Destroyer!), followed immediately by Dr Moreau-style fusion of Herman Melville & Peter Perrett in glass-all-void Immigrant Song. Also bass sound of the miraculous Stylophone Beatbox, plus Casio MT 45 psychick dancehall and 3 pairs of strings, not 4, on the bouzouki. Following on from the quietly released TOWERS, OPEN, FIRE/Looking For Business 7″ on Penultimate Press towards the end of 2018, Precious Waste In Our Wake is a Malediction Forbidding Mourning, a portfolio of old pathologies folded into a sleek new nervous wreck. Precious Waste In Our Wake is a hulking ride of audacious rhythmic passages swaying alongside the meanest of melodies suddenly swept over by flights most fragile. Packaged in a high gloss sleeve with insert and precious zero by way of peers.” “An endearingly honest and outrageously artful sense of seemingly forgetful prowess - having played together for seventeen years (!) and only now releasing their debut album, “Precious Waste..” really gives weight to the idea that it can take a long time to sound like yourself. Triple Negative's entirely unique breed of dynamic chaos providing the thrill and bewilderment of observing that which is so close to collapse, evolve into a fully realised slab of INFINITE potential.” - Low Company

"'Pleasure Island' is British composer Tim Parkinson’s disquieting and joyous Slip debut: play time in end times. Titled after the Disney adaptation of ‘Paese dei balocchi’ (or the Land of Toys) in Carlo Collodi’s ‘The Adventures of Pinocchio’ (1883), 'Pleasure Island' is a metaphysical playground of organic and digital cohabitation, its inhabitants pacified by toys and comforts. Alongside Dawn Bothwell, Suze Whaites, Laurie Tompkins, and Francesca Fargion, Parkinson exerts an uncannily emotional pull from an unlikely but potent alliance of ultra-minimal aesthetics, dead-beat drums, junk electronics, and mechanised mantras. Voices are hemmed in by electronic sound. People buffeted around by machines. Words surrounded by garlands of digital interference. Time repackaged as countdown. Tim’s trash-opera ‘Time With People’ continues to be performed around the world, past champions of which include Object Collection, a.pe.ri.od.ic, Edges, and NEC, and he is a co-curator of London’s longstanding ‘Music We’d Like To Hear’ series. Despite decades of fiercely independent production, this is his only piece conceived of first and foremost as an album. --- Tim Parkinson / keyboards, stylophones, drums, percussion, midi, electronics, sounds, vocals Francesca Fargion / vocals on 'Happy Birthday' Dawn Bothwell / vocals Laurie Tompkins / vocals Suze Whaites / vocals --- Recorded in London Oct–Dec 2017 & Newcastle May 2018. Mastered by Giuseppe Ielasi. Artwork by Rick Pushinsky.

Venue Membership

Becoming a venue member gets you cheaper tickets, cheaper merchandise, access to early-bird booking and free-to-member only shows. Venue members receive our pre-sale mail outs which offer tickets before they go on general sale. Due to our small capacity, this is sometimes the only way to ensure a ticket to our more popular shows.

Can I use my membership discount when buying tickets on the door?

Yes. Please bring ID with you. You will need to pay in cash as we don't have a card reader on the door. Please note that we cannot guarantee entry to members so advance booking is recommended.

Can I use my membership discount when buying records and other items in the Cafe shop?

Yes. Please bring ID.

Do I get a membership card?

We don't issue membership cards, but your membership is automatically registered when buying tickets or items from our shop online. Please bring ID for discounts on tickets and records in the cafe.

Do I need to renew my membership when it expires?

Your membership will automatically renew on a monthly or annual basis - depending on what you initially purchased. To cancel your membership you just need to log in to your account on our website and terminate the membership before your next payment date.

Digital Membership

OTO Digital makes our archive available internationally for the first time. We aim to make two new recordings from our archives and four releases from other independent labels available as downloads each month. Each recording is professionally mixed and mastered in house, and agreed with the artist. The label aims to reflect the diversity of Cafe OTO’s program, support new artists in getting an early stage release out, or showcase new or previously undocumented work from more established names.

OTO Digital also works closely with small independent labels to sell their releases through our shop. Each label is carefully selected, featuring artists with strong ties to OTO’s programme and some long out of print releases.

How do the credits work?

We’ll add three credits to your account each month. Each of these credits can be used to download any recordings from the ‘Digital Downloads’ section of our website - including releases on other labels. If you have credits, you'll be given the option to download any of the available titles under the 'BUY' links.

There is no time limit on using your credits whilst you remain a member.

The website will show you how many credits you have left and when they will next refresh.

Do the artists get paid?

Yes. When you download a recording as part of your digital membership we pay the artist £1. For downloads by non-members we pay the artists 50% of receipts.

What is the recording quality like?

All of the live recordings available will be professionally mixed and mastered and approved by the artists. Most recordings are sourced from the high quality multi-track hard disc recorder we installed in May 2013 and all are handled with the same attention to quality that we’ve given our vinyl LP releases.

Recordings are available to download as 320k MP3 / 24-bit FLAC files or 320k MP3 / 16-bit FLAC in the case of some older external labels.

We would like to acknowledge Sound and Music and The Hub’s ‘Joining The Dots’ project for their support in the development of our digital membership offer.