The balance of galactic power in the 31st century revolves around Illyrion, the most precious energy source in the universe. Captain Lorq van Ray’s varied and exotic crew know their mission is dangerous, but they have no idea of Lorq’s secret obsession: to gather Illyrion at source by flying through the very heart of an imploding star.Softcover, 241pp Orion, 2015 (originally published 1968)

Spring 2020. During lockdown in a mountain village with his partner and young child, Yann Chateigné Tytelman becomes haunted by the presence of his dead father. Provoked by memories of him, of their laconic relationship and of the class antagonisms that emerged between them – the father was a manual labourer while his son ‘turned his back’ and entered the art world – Chateigné Tytelman starts writing letters, piles of them, which have as their subject that most mystical, most incomprehensible of phenomena: silence.Condensed into a series of short fragments, Blackout interweaves the letter to the father with the observations of an art theorist who surveys with precision the occurrences and experiences of silence in painting, music, literature and philosophy.Taking inspiration from Emily Dickinson, the white paintings of Robert Rauschenberg, Jean-Antoine Watteau’s depiction of poor Pierrot, John Cage, Vija Celmins’s ocean drawings, the music criticism of David Toop and the theoretical writings of, among others, Michel Serres, Giorgio Agamben and Paul B. Preciado, as well as from the recent global pandemic, Chateigné Tytelman invites readers to tarry with the void at the heart of modern society and to confront the spectres of death and disease among us.Hardcover, 81pp Les Fugitives, October 2025

In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativity, J. Logan Smilges shows us what’s gone wrong and what we can do to fix it. Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism-beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible.Softcover, 17.8 × 12.7, 89pp Forerunners: Ideas First, University of Minnesota Press, 2023

Transmissions: Radio Essays on Edges, Crossings and Narrowcasting Borderlands gathers radio essays—created as part of Robida Collective’s project Radio drugega/The Other Radio—which reveal that to speak of “the border” is never to speak of a single line. There are political borders, conceptual borders, bodily borders; carnivalesque borders, where order collapses into play; linguistic and cultural borders, where words slip between languages and where accents become geographies; archival borders, separating memory from forgetting; borders of abandonment, where life and death enter into a dialectical ballet; economic borders, drawn by property, ownership, enclosure; borders of matter, space and time; acoustic borders, where the voice meets noise and incomprehensibility; cosmic borders, where meteors cross the thin edge of air; ecological borders, porous and breathing, where one species touches another. These are some of the borders this book speaks of – lines that do not divide but resonate, that hold together separation and proximity, distance and relation. Together, these essays form a cartography of friction but also affinity, reminding us that to erase all borders is to erase the very conditions of encounter – and that meaning often emerges not at the centre, but at the edges where worlds meet. With texts by:Agnes Cameron, Ajda Bračič, Aljaž Škrlep, Antônio Frederico Lasalvia, Giorgia Maurovich, Jack Bardwell, Kate Donovan, Kat Macdonald, Lijuan Klassen, Luca Vettori, Michael Marder, Moritz Gansen, Olya Korsun, Petra Filagrana, Urška Savič.Softcover, 120x170mm, 240pp Robida, 2025

‘Sussex folk seem ever to have had a leaning towards snaky things.’ Sussex Coils and Loops is a work of parafolklore on the great serpents encountered in the land of south-east England. The book describes a series of ritual actions performed between the winter solstice of 2017 and the summer solstice of 2022 at sites with serpent or dragon legends associated with them. We explore hidden woods, secret pools and lonely churches, find clues in stained glass windows, graveyards, fading murals, tattered pamphlets and video games. There are hermits and saints, headless horsemen, mighty oaks and giant puddings. Shrines are constructed, encounters logged. Each generation is seen to have added to the recursive legend, and the sources range from Anglo-Saxon and medieval Latin accounts to contemporary storytellers. All seek to plumb the depthless knucker holes and reveal their great and terrifying wyrms. In Sussex Coils and Loops, Holman deploys a number of strategies to demonstrate and report on these workings. The writing is in turn experimental, documentary, and scholarly. This is unashamedly contemporary landscape magic. Holman resists any characterisation of folklore that privileges a notion of authenticity as inherently conservative. Rather, he sees it as a dynamic and unstable process which is constantly taking on provisional, dare we say, snaky, forms Through its careful scholarship, field investigations, and experiments with form, Sussex Coils and Loops offers a variety of entry points into this living tradition, honouring its unruly, indefatigable nature, and curious to see where it might go next.Illustrations by Harriet Holman Penney Softcover, 162pp Scarlet Imprint, 2026

In her signature epic vision, Canisia Lubrin distils a radiant elegy for her mother along an interwoven and unresolvable axis of astonishment, belonging as much to history as to today. Grief, tender and searing, is the channel through which the poet refracts the realm of contemporary life to reveal the paradox of its private and public entanglements. This is poetry of haunting gravity and resonance, with meditations on love, time, and loss, at once meticulously far-seeing, interior and inexpressible. ‘How incandescent the language is, each line emitting light through the membrane of time and anticipated grief. The work has a rigorousness, the poet pushing through the ache of experience from the first to the last word.’ – Dionne Brand Softcover, 111pp Spiral House, 2026

In the Environs of a Film collects together three previously untranslated works by Danielle Collobert, the author of Murder and It Then. The works here, selected by the translator are scorings of scattered voices and take the form of a scenario—”Research”—a radio play—”Polyphony”—and a poem—”That of Words.”translated by Nathanaël,  Litmus Press, 1964   Born in Rostrenen in 1940, Danielle Collobert left for Paris at the age of eighteen where she worked in an art gallery and self-published her first poems in a book entitled Chants des guerres (1961). Both of Collobert’s parents, and her aunt, who survived deportation to Ravensbrück, were members of the Résistance during World War II. Herself a supporter of Algerian independence, Collobert joined the FLN (the Algerian National Liberation Front), precipitating her exile in Italy, during which time she completed work on Meurtre, first published in 1964 by Éditions Gallimard with the unwavering support of Raymond Queneau. She worked for Révolution africaine, a short-lived journal created at the end of the Algerian war. Collobert’s extensive travels to Czechoslovakia, Indonesia, Bolivia, Ecuador, Venezuela, Mexico, Spain, Greece, and Egypt did not prevent her from becoming a member of the group formed around Jean-Pierre Faye and the journal, Change. Her other works include Dire I et II (1972), a radio play the following year, Polyphonie, aired by France Culture, Il donc (1976) and Survie (1978). Upon her return from a trip to New York, Danielle Collobert took her own life in a hotel in Paris on her thirty-eighth birthday. Her complete works, in two volumes, edited by Françoise Morvan, augmented by several unpublished texts, were published by P.O.L. in 2005. Collobert’s works available in English include In the Environs of a Film (Litmus Press, 2019), Murder (Litmus Press, 2013), Notebooks, 1956-1978 (Litmus Press, 2003) and It Then (O Books, 1989).

Being together in the dark awaiting a film or play, we’re actually readying ourselves for a threshold experience, for something else to appear: ‘We catch a glimpse of how the possible and the impossible are in fact threaded together, always have been.’ In these essays on the intersection of theatre, ecology, magic and darkness, Augusto Corrieri unearths forms of knowledge and attention repressed by Western modernity. How can we explore particular modes of attending to worldly things, he wonders, ‘modes of attending that value impossibility, multiplicity, drift, impermanence and dislocation, that hold dear the importance of the un-seen, the un-extracted, the un-consumed. There are things not meant for human eyes.’ Augusto Corrieri is an artist and writer. In his work he deconstructs the apparatus of theatre, inviting spectators to reflect on questions of spectacle and ecology in the twenty-first century. He presents sleight-of-hand magic performances under the pseudonym Vincent Gambini. www.vincentgambini.comSoftcover, A6, 72pp Varamo Press, 2026

Mysterious Thelonious is Raschka’s tribute to jazz pianist Thelonious Monk. The book uses just twelve colors, lined up like the twelve notes of the scale. The short, repeating text and loose, abstract images follow the shape of Monk’s music Matches the tones of the diatonic scale to the values of the color wheel in presenting a portrait of the work of the composer of "Mysterioso"  Second Hand  Hardcover, 20pp Orchard Books, 1997

translated by Kato David Hopkins   Published by Public Bath Press, paperback, 368 pp, 2019   "This book, the only history of free jazz in Japan, has been reprinted many times in Japan and is finally available to readers overseas in English translation. From its earliest stirrings in the 1960s until it reached international recognition in the 1970s and after, free jazz in Japan is a unique music that has found its perfect scribe. Teruto Soejima was a writer who fell in love with a music and devoted his life to it as promoter, critic, label owner, tour organiser, and much more. "If you like jazz at all, if you like the unique voices of Japan at all, this book will open your ears to many sounds you haven't heard, or heard of, before. "Introduction by Otomo Yoshihide. All new photos in this edition, none used from the original Japanese volume." - Publisher Public Bath "Soejima Teruta was a legend on the scene of jazz and improvised music in Japan ... Much more than a critical observer, Soejima-san was a tireless supporter of music and musicians, and will always be remembered for his brilliant mind and gentle soul."- John Zorn

Published by Public Bath Press, paperback + CD, 244 pp, 2019 "The acclaimed collection by Seiichi Yamamoto with all new art, photography and a new CD of remixed and new music by Omoide Hatoba and Suido Megane Satsujin Jiken." - Publisher Public Bath Press "Of course, Seiichi Yamomoto is famous as the visionary guitarist of The Boredoms, Omoide Hatoba, Rashinban, Live Under The Sky, Most, Para, Novo Tono and many, many, more projects. His solo work is extensive. He is also proprietor of live house Namba Bears, home of the most interesting shows in Osaka. In the mid-1990s, when Boredoms mania was at its peak, Yamamoto-san was asked by Guitar Magazine to write a regular column. This book represents the best of that writing, with added poetry, fiction and art. "Less well known, at least overseas, is that he is also a fine artist and photographer, having been featured in several solo shows at galleries. "Yamamoto-san has an enigmatic, opaque way of speaking/writing that can feel simultaneously very warm and somehow off-putting. He is basically a very shy person who yet seems to spend most of his time on a stage in the spotlight. "Ginga is the Japanese word for Milky Way, but here it is written in katakana and not its customary kanji (meaning silver river) so who knows if it means anything. He asked me if Gitabarrio, the repeating title of his column, meant anything to me. I said that I could see Gita, the song of the blessed one, and with a stretch, guitar, coming from his own barrio??? He merely smiled. Now it's your turn."- Translator Kato David Hopkins

This is the real Japanese Noise bible. published: 2020Through extensive interviews, and his own knowledge as a first-hand observer, KD Hopkins provides a roadmap for heretofore totally uncharted territory in the history of extreme sonic exploration. Featuring the likes of Merzbow, Hijokaidan and Hanatarash alongside a bevy of lesser known freaks, Rumors Of Noizu compiles anecdotes and memories alongside flyers and photographs from the time, in an attempt to contextualize what is perhaps the most bewildering music scene in the history of the modern underground. Many critics have discussed the genre of noizu as a strange subculture arising in a strange place, Japan. In this book, Noizu is discussed as a natural organic expression arising in a country full of experimental culture. Tracing the earliest stirrings of noizu in various places, this micro-history, based on extensive interviews with participants and witnesses, will provide context to make sense of something that intentionally has no meaning.

“This is the prize-winning history of the music known as Enka, one of the dominant forms of postwar popular music, that rearranged everyone’s understanding of the history of postwar pop. Love it or hate it, Enka is a necessary background for anyone hoping to understand the music of Japan. With a new introduction by the author and full color printing (unlike the Japanese original), this is a must-have for your collection.”

Still sourcing and exploring two massive, braided streams of retrospective invention—‘Mu’ and Song of the Andoumboulou—Mackey’s liturgy falls and sprays and pools in Double Trio. Bottomless, modal, modular as McCoy Tyner’s matched, augmented threes, surfaces bloomed with turbulent, recombinant bottom like Bill Dixon’s double-bassed ensembles, Double Trio doesn’t culminate: it promises. —Fred Moten Three new books in a spectacular limited edition box carry the tradition of the long poem far into the 21st century with a “low-lit, slow-drag ebullience” For thirty-five years American poet Nathaniel Mackey has been writing a long poem of fugitive making like no other: two elegiac, intertwined serial poems--"Song of the Andoumboulou" and "Mu"--that follow a mysterious, migrant "we" through the rhythms and currents of the world with lyrical virtuosity and impassioned expectancy. In a note to this astonishing box set of new work, Mackey writes: "I turned sixty-five within a couple of months of beginning to write Double Trio and I was within a couple of months of turning seventy-one when I finished it.... It was a period of distress and precarity inside and outside both. During this period, a certain disposition or dispensation came upon me that I would characterize or sum up with the words all day music. It was a period during which I wanted never not to be thinking between poetry and music, poetry and the daily or the everyday, the everyday and the alter-everyday. Philosophically and technically, the work meant to be always pertaining to the relation of parts to one another and of parts to an evolving whole." Structured in part after the last three movements of John Coltrane's Meditations--"Love," "Consequence," and "Serenity"--Double Trio stretches the explorations and improvisations of free jazz into unprecedented poetic territory. --- Trim Size - 6x9 Page Count - 1080 Hardback - 3 books

Publisher : New Directions Language :EnglishPaperback :112 pagesISBN-10 :0811216527ISBN-13 :978-0811216524Dimensions :15.49 x 1.27 x 22.86 cmPart antiphonal rant, part rhythmic whisper, Nathaniel Mackey's collection of poems, Splay Anthem, takes the reader to uncharted poetic spaces. Divided into three sections--Braid, Fray, and Nub (one referent Mackey notes in his stellar Introduction: the imperial, flailing republic of Nub the United States has become, the shrunken place the earth has become, planet Nub)--Splay Anthem weaves together two ongoing serial poems Mackey has been writing for over twenty years, Song of the Andoumboulou and Mu (though Mu no more itself / than Andoumboulou). In the cosmology of the Dogon of West Africa, the Andoumboulou are progenitor spirits, and the song of the Andoumboulou is a song addressed to the spirits, a funeral song, a song of rebirth. Mu, too, splays with meaning: muni bird, Greek muthos, a Sun Ra tune, a continent once thought to have existed in the Pacific. With the vibrancy of a Mira painting, Mackey's poems trace the lost tribe of we through waking and dreamtime, through a multitude of geographies, cultures, histories, and musical traditions, as poetry here serves as the intersection of everything, myth's music, spirit lift.\ --- New Directions, 2006

Musician, wife, mother, daughter, sister, grandmother, collaborator, guru, iconoclast: Alice Coltrane is one of the most forward-looking yet misunderstood artists of the last fifty years.For most of her life - and even in the decades since her passing - she was seen merely as the widow of the late John Coltrane, one of jazz's 'great men' who has long been worshipped with an almost religious fervour and devotion. Yet ever so slowly, that level of love and appreciation is also being bestowed upon Alice. Her influence can be felt on new generations of musicians, especially women, people of colour and artists who seek to combine jazz with other musical forms. In Coltrane's music, we can observe the transformation of Black American music in microcosm: the gospel roots giving rise to jazz and bebop, then intermingling with soul and R&B;, then onto rock, modern classical, psychedelia and new age.Cosmic Music is both the first full-length biography of Alice and a long-overdue corrective to the historical and critical record. Based on extensive research and scores of new interviews by acclaimed music journalist Andy Beta, it is the definitive account of a visionary whose influence is only just beginning to be appreciated in full.Hardback, 425pp White Rabbit Books, 2026

A woman replays her abandonment by her mother, who is sometimes addressed as a male mother-god. She is also abandoned by her lover, to whom she is in thrall. She tries repeatedly to make or receive phone calls with the beloved figures, without success. She waits for their letters and imagines their contents. In a dream-like, torrid sequence, suffering, fear, fatigue and imperfection are apostrophised. Forgetting is examined and toyed with from every angle. Mythical hybrid creatures are invoked: a snake-headed lion, wolf-snakes, a wolf-peacock. How did this come to be? In a cunningly, wittily wrought rush, the unique, unpredictable voice of the narrator speaks from multiple perspectives to express powerful anguish and, ultimately, catharsis.Softcover, 255pp Silver Press, March 2026

As queer nightlife moves from the margins to the mainstream, what have we lost – and what can we still gain? Part cultural history, part manifesto, Club‬‭ Commons: Moving Bodies to Grow Movements‬ ‭in Queer Nightlife & Beyond explores the power of the dancefloor. A call to protect what we’ve built, and reimagine what’s still possible.Softcover, 220pp Velocity Press, 2026