■NB the content of the LP and CD versions is not identical.■The LP includes four pieces: three selected from the original exhibition pieces by Art into Life, and one new piece (“Dialogue”) by Hirose that was not included in the exhibition. “Dialogue” only appears on this LP version.The CD includes all of the original pieces from the exhibition. The vinyl comes with DL code that has all CD tracks. The Kiyosato Museum of Contemporary Art was located in Kiyosato, Yamanashi prefecture from 1990 to 2014. It was a private art museum with a permanent exhibit based on a collection of unrivalled scale. The museum also collected and mounted exhibitions on the work of radical contemporary composers, including John Cage. The museum’s primary informant on music was sound designer Yutaka Hirose, one of the pioneers of Japan’s environmental music (kankyō ongaku) movement in the 1980s. In 1992, the museum mounted a John Cage Memorial exhibition, and this release showcases Hirose’s work on the overall exhibition design and the creation of the sounds that were played in the museum during the exhibition, through a re-edit and reissue of the sound materials.The sound materials that Hirose created for the exhibition environment were only ever distributed on CDr to members of the curatorial team so this is their first formal release. Hirose’s work for the exhibition was radical in its use of musique concrète and collages of noise and everyday sounds, and in his homage to Cage’s methods, these pieces represent a distinct departure from his normal approach at the time.The A4 booklet includes texts about the exhibition by members of the team, Hirose’s own description of the pieces, and photographs of the exhibition. (Text in Japanese and English).

Manon Anne Gillis has been creating music using primitive systems since the 1980s. Her ninth solo album weaves together her voice, breathing, words and sounds using ingenuous methodologies. She has remarked that her sound is not something conceptual and that feeling and immersion matter far more to her than understanding. Her latest collection consists of ten pieces that approach sound as a tactile, sensory experience. She transforms spoken word and singing into blurred noise and irregular repetitions, plunging them into rhythm tracks to create new inner worlds.

rom the 1950s, Masaaki Takano (1927-2007) worked as a freelance "sound planner," mainly creating sound effects for stage productions. In the mid-1980s he began performances called "Sound Play" where he would perform on his own self-created sound instruments and his collection of ethnic instruments. Growing out of his work with sound effects, he became obsessed with the recording of natural sounds from the 1970s onwards, and this album "Shizukutachi" is a record of a high-quality recording of water droplets that he created in the studio using his own self-created suikinchiku system. This reissue recreates the original LP, using special paper to create beautiful packaging and duplicating the original, ultra-transparent vinyl. The reissue includes newly penned, detailed liner notes by Tomotaro Kaneko (owner of the Japanese Art Sound Archive).

LAFMS musician Joseph Hammer creates unparalleled works of tape manipulation. However, as yet there are comparatively few solo albums by this phenomenal artist. To rectify this situation, Art Into Life has decided to release Roadless Travel, his latest album. The album comes with a dense 24 page booklet of liner notes (essentially a full history of Hammer) by T. Sakaguchi, who has enjoyed a long friendship with him and is the foremost Japanese historian of the LAFMS scene.Comes in a heavy cardboard box.

Incredible X3 CD Box of archival, Angus Maclise works,  fully restored and remastered by Jim O'Rourke in 2023. The 3CD box comes with a miniature poster, a sheet of track list, and each CD comes with a paper sleeve which reproduces the original cassette sleeve artwork. Angus MacLise, the first drummer for the Velvet Underground, was a poet, composer, and a member of The Theatre of Eternal Music alongside La Monte Young. The "Tapes" 3CD Box is the first-ever reissue of a 3-cassette compilation that Pleasure Editions originally released in 2015, limited to only 100 copies. The 3CD box set comes with a miniature poster and track lists, and each CD has a paper sleeve that reproduces the original cassette card artwork. This comprehensive 3CD box set is over three hours in length and includes session recordings with Tony Conrad and William Breeze (of Coil, Current 93, and Psychic TV), mystical recordings from the filming of Ira Cohen's "The Invasion of Thunderbolt Pagoda" (1968), shortwave experiments, and sounds of Tibetan Buddhist monks recorded by MacLise. The "Tapes" compilation features excerpts from the archives of the Angus MacLise Papers, which are held at Columbia University Library. The archives contain over 100 hours of reel-to-reel tape recordings of live improvised music, theatrical performances, and sound experiments created by MacLise and his associates during the 1960s and 1970s. MacLise produced the original recordings in his own unique style, characterized by rough and peculiar editing. The release is curated and sequenced by Will Cameron and Mark Iosifescu.

Documentary recordings of Hartmut Geerken and Michael Ranta’s November and December 1976 tour of the Middle East and East Asia. Geerken is known for his long relationship with Sun Ra (including compiling a discography), but he wears many other hats too: musician, film-maker, archivist. Ranta is a percussionist best known for his famous “Improvisation Sep.1975” collaborative record with Toshi Ichiyanagi and Takehisa Kosugi. This is a CD reissue of an LP boxset, originally released in 2010 as the last release on the now dormant Italian label Qbico. The tour started in Iran before moving east to India, Bangladesh, the Philippines, Korea, and ending in Japan. At their show in Osaka, they played together with Toshi Ichiyanagi. This edition includes the concert with Ichiyanagi, solo performances by Ichiyanagi and Shoko Shida, as well as a rare Delhi performance that was originally only included in the highly limited 6LP edition of the Qbico set. All the tracks overflow with rich multi-dimensionality, providing a glimpse of Ranta and Geerken’s depth as performers.

For over four decades, composer-performer David Rosenboom has developed unique circuitry and software for making musical models of the wondrous natural world come alive. Traversing the raucous and the sublime, ROUNDUP TWO presents live performances with vacuum tube analog computers, solid-state manifestations of chaos and harmony, musical interventions on political tunes, virtuoso performers interlinked with hybrid processing, and more. ROUNDUP TWO is an essential, historical document containing important examples from a sixteen-year period in this innovative artist’s extraordinary, pioneering work."Several of these pieces appeared in an audio, cassette package released in 1987 by Slowscan editions, ‘s-Hertogenbosch, The Netherlands, titled Roundup, A Live electro-acoustic retrospective (1968-1984). For Roundup Two, all those pieces have been re-mastered from tapes in audio archives that were in various states of preservation. Several that were originally presented only in excerpts are now presented in complete, unedited versions, and other works not on the original Roundup have been added." - David Rosenboom

Infant Tree is excited to present a new solo release by Crystabel Efemena Riley, recorded In July 2024 at Ormside Projects, as part of Susu Laroche’s Seraph FM series. Crystabel performs on a kit constructed of recycled skins of drums and shells, specifically centered in the space. This performance inter-connected with an exploration of metal smelting and sculpting that was happening in tandem in her work as a make-up artist uniquely preoccupied with the the infinitely recyclable and ritualistic nature of these materials. This later overlaps into the sonic space. Listening to the recording, the crossing rhythms ricochet from skin to speaker, creating complex and exciting patterns. The materiality of the instrument feels totally entwined in the audio, with the space, the sound system and everyone in it. Crystabel's interest in patterns on skins — human and drum, started during the late noughties when she toured Japan and Europe using drums, make-up and electronics in power-noise/post-club trio Maria and the Mirrors. Her interest in dimensional patterns existing on (and off) different surfaces has continued to evolve through exploring the idea of 'care and uncare' of various skin surfaces. Crystabel has been a long-term collaborator with Sue Lynch who welcomed her into the Horse Improvised Music Club and later played in the London Improvisers Orchestra. She is currently working on the multi-format project @xcrswx with Seymour Wright who's last release was a split vinyl with Lolina. She also performs as part of the X-Ray Hex Tet with Edward George, Pat Thomas, Billy Steiger, Paul Abbott and Seymour Wright, who released an album on Reading Group in 2024.

Bayawan:The Call of the Wild and Free "Bayawan" is the common name for Muqam music used by the Dolan people. Bayawan, or Dolan Muqam, is a unique form of folk music and one of the most important cultural heritages of the Uyghurs in Xinjiang, China. Generally speaking, Muqam is a form of large-scale suites which include songs, dances, and instrumental sections, in which the development of music often features a significant degree of improvisation. The Muqam of the Uyghurs is characterized by its diversity of musical styles. Apart from the classical Twelve Muqam, there are also multiple folk Muqam traditions with distinct regional characteristics, including Kumul Maqam, Turpan Muqam, Dolan Muqam, and Ili Muqam. Among them, Dolan Muqam is often considered as the wildest, if not the uncanniest tradition that still exists. "Dolan" is the name of a people, typically considered as an ethnic sub-group of the Uyghurs, who historically inhabits the banks of the Yarkand and Tarim rivers on the northwest edge of the Tarim Basin. Dolan Muqam has been circulating by and large in the Dolan region—which now mainly includes Makit County and Maralbexi County in Kashgar Prefecture, and Awat County in Aksu Prefecture—and its influence has also reached places such as Kargilik, Poskam, Kuqa, Korla, Turpan, and Kumul. The Dolan people refers to the Muqam music they play as "Bayawan", which literally means "the desert and the wildland". Bayawan, in their common language, is not something to be sung, but rather to be "shouted out". It is said that there were originally twelve sets of Dolan Muqam, three of which have now been lost. Each set of Dolan Muqam is approximately six to nine minutes in length. The remaining nine sets last about one and a half hours in total. Dolan Muqam is marked by its simple, unadorned instrumentation, strong and intense grooves, and a distinctively hoarse, air-rending style of singing. The lyrics draw from folk songs and oral poetry, maintaining an overall sense of rugged raw beauty. A unique and rare cultural treasure worldwide. In May 2023, the Mekit Dolan Muqam Group performed at the 7th Tomorrow Festival in Shenzhen. Taking this chance, we invited the artists to a session at Liu Ying Studio, which gave birth to this one-of-a-kind record. This was our great good fortune. We wish these magnificent sounds and voices travel far and reach more ears.

Beautiful entry via Old Heaven from Czech avant-garde violinist, singer, and composer Iva Bittová

李带菓 Li Daiguo：古筝 Guzheng, 低音提琴 Double Bass, 大提琴 Cello, 塔不拉鼓 Tabla, 模拟合成器 Analog Synthesizer, 中国鼓 Chinese Drum, 锣 Gong, 踩镲 Hihat, 地鼓 Bass Drum 录制于2021年11月 云南·大理Recorded in Dali, Yunnan in November 2021 录音/混音 Recording & Mixing: 李带菓 Li Daiguo母带 Mastering: 刘英 Liu Ying制作人 Producer: 涂飞 Tu Fei统筹 Coordinator: 陈铁梅 Chen Tiemei / 尹思卜 Yin Sibo封面木刻作品 Front Cover Woodcut Artwork: 刘庆元 Liu Qingyuan设计 Design: 林溪 Lin Xi（来信收悉工作室）

Recorded at the 8th Tomorrow Festival, B10 Live, Shenzhen May 25th, 2024

David Murray — 萨克斯 Saxophone Kahil El'Zabar — 打击乐 Percussion / 卡林巴 Kalimba / 人声 Voice 录制于第十届 OCT-LOFT 国际爵士音乐节，深圳 B10 现场，2023 年 10 月 27 日 Recorded at the 10th OCT-LOFT Jazz Festival, B10 Live, Shenzhen October 27th, 2023

"On the night of December 18, 2021, Mamer and his newly formed psychedelic folk band Mask were about to record a live album at Shenzhen B10 Live, a few audiences were invited. Before the recording, Mamer improvised on sherter for nearly 40 minutes. This album was therefore born.Xêrtêrmin / Sherter Solo may be, or should be the world’s first sherter solo album—although we don’t want to overemphasize it for the sake of sales. Most of the time, this ancient Kazakh instrument is used as a tenor dombra in ensembles, rarely as a soloist—but on this night, its old soul was awakened." - Tu Fei --- 切尔铁尔独奏: 马木尔 Sherter Solo by Mamer2021 年 12 月 18 日录制于深圳 B10 现场Recorded on Dec. 18, 2021 at B10 Live, Shenzhen制作人 Producer: 涂飞 Tu Fei录音 Recording: 曾君 Zeng Jun, 罗绿野 Luo Lvye母带 Mastering: 刘英 Liu Ying封面绘画 Album Cover Artwork: 张咏瑜 Zhang Yongyu摄影 Photography: 阿瓜 Wain设计 Design & 统筹 Coordination: 尹思卜 Yin Sibo曲目翻译 Tracklist Translation: 唐加力克 Karatorhay (哈译汉 Kazakh-Chinese), 骆炜湘 Lowi (汉译英 Chinese-English)旧天堂书店 & 深圳 B10 现场联合出品Published by Old Heaven Books & B10 Live, Shenzhen 2023

This album is a special production for IZ's 2025 China Tour. The selected tracks include the live recordings from the "Koxpendi" tour in 2023 and from the BBC radio show in 2010. Over the years, as an important branch of Mamer's many music projects, IZ has been on a path of self-innovation and even self-denial. We hope you can feel this from these recordings spanning 13 years. As Mamer said, "We need to learn from tradition, and give back as much new content to it as possible, at the same time embrace the challenges that instruments bring. This is the meaning of IZ's existence." Heart like the ocean, zeal like shining stone.

Man from the East This album was recorded at Liu Ying Studio in Shenzhen. An improvised session on acoustic guitar from start to finish, it nonetheless demonstrates a highly original, coherent artistic conception: a distinct “Oriental” aesthetic redefined by Mamer’s own creative vision. In tracks like “Sleepless”, “Man from the East”, and “Backyard”, Mamer ingeniously deconstructs and deploys traditional Han Chinese music scales to serve his own purpose, adding artful ambivalence and rich subtleties to an unmistakable lingering ambience of ancient Chinese spirituality. Tracks like “Punk Long Johns” and “Bande”, on the other hand, are sonic and rhythmic experiments upon “Nearer East” musical traditions: techniques of strumming, typical to Central Asian plucked string instruments, are applied to an acoustic guitar with constantly changing tunings, sometimes by the help of drumsticks or a screwdriver. In the track “Tursun Matia”, Mamer plays his guitar as if it was possessed by the spirit of a Dolan Rawap—an emotional tribute to his lifelong friend Tursun Matia, the late master of Mekit Dolan Muqam. Uyⱪesez (or Sleepless) sees Mamer reimagines the “Orient” from a unique position as an other of the othered. A man from the East with pale fire snatched from the sun, with strings that transcend the boundaries of time.