The couple behind shared projects including The Hunter Gracchus and Singing Knives Records and individual projects such as Roman Nose, Blue Yodel and Papal Bull, Fiona Kennedy and Jon Marshall’s little-heard duo work draws on their professional and personal experiences of mental health as manifested in the individual and the family and set against contemporary depoliticised, pathologizing and commodified interventions, playing with disrupted sound localization and attempts to determine and categorise acousmatic and visualized sound sources.
