Friday 18 November 2016, 8pm
Paul Abbott, Cara Tolmie, Will Holder and Seymour Wright will perform as part of Paul’s Sound and Music / Cafe OTO ‘Embedded’ Residency.
Seymour Wright is a saxophonist. His work is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique – actual and potential.
Seymour's solo music is documented on three widely-acclaimed collections - Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).
Current projects include: @xcrswx with Crystabel Riley; abaria with Ute Kanngiesser; [Ahmed] with Antonin Gerbal, Joel Grip and Pat Thomas; GUO with Daniel Blumberg; XT with Paul Abbott; The Creaking Breeze Ensemble; a trans-atlantic duet with Andy Guthrie, and, with Jean-luc Guionnet a project addressing an imaginary lacunae in Aby Warburg's Atlas Mnemosyne.
@xcrswx
Typographer Will Holder is the editor and publisher of F.R.DAVID, a journal concerned with reading and writing. He mediates and reproduces polyphonies of voices as design: bringing meaning and public access to things. His work has taken the form of oral and printed publications; and is informed by an ongoing study of song and music-making as a co-authored process, and conversation as production model for other disciplines. Holder emphasises the role that memory plays between the printed page and the body as live, oral publication. As a self-driven study of graphic notation and collective reading processes, he has initiated a series of publications, with musician Alex Waterman, since 2012: Agapé (Miguel Abreu Gallery), Between Thought and Sound (The Kitchen, NY), The Tiger’s Mind (Sternberg), Yes, But Is It Edible?, The music of Robert Ashley for two or more voices (New Documents) and In Memoriam Mary Cecil… (Ociciwan and uh books).
Paul Abbott is a musician and drummer. He plays with real and imaginary drums, synthetic sounds, performance and writing.
Recent and ongoing collaborations include: XT with Seymour Wright; XT+Pat Thomas; XT+Anne Gillis; X Ray Hex Tet; F.R.David, very good* & Rosmarie with Will Holder; film sound for Keira Greene; Rian Treanor Duo; RP Boo Trio with XT; The Creaking Breeze Ensemble with Nathaniel Mackey; yPLO with Micheal Speers and performances with Cara Tolmie.
Paul has performed at venues and festivals internationally. He was a co-founder and co-editor of Cesura//Acceso journal for music, politics and poetics, and SAM resident artist at Cafe OTO 2015. In 2022 he completed a PhD at the University of Edinburgh under the supervision of Florian Hecker and Nikki Moran. He is currently undertaking research at Royal Conservatoire/Academy Fine Arts Antwerp.
Recent releases include: solos Nsular, Ductus; XT+Pat Thomas “Akisakila” / Attitudes of Preparation (Mountains, Oceans, Trees); XT Deorlaf X, Palina’Tufa; Creaking Breeze Ensemble & Nathaniel Mackey Fugitive Equation; F.R.David very good*; RP Boo Trio 31.12.18.
Cara works from within the intersections of performance, music, artistic research and moving image. Her solo works explore different ways of disrupting the affective economies revolving around ‘The Singer’ through various uses of the defamiliarised, uncanny and sampled singing voice.
Collaboration is a contingent aspect of her ongoing practice both in the making of works as well as more expanded research projects. She has recently worked with Stine Janvin, Zoë Poluch, Kim Coleman, Will Holder, Seymour Wright, Paul Abbott in group ULAAPARC, on artistic research projects Gender of Sound with Susanna Jablonski and The Glossary of the Event with Frida Sandström and Aleksei Borisionok.
She is currently a doctoral candidate in Critical Sonic Practice at Konstfack, University of Arts, Crafts and Design, Stockholm conducting artistic research project Listening to the Displaced Vocal Body. This project looks to performance practices that disrupt the continuity between the voice and body as a fixed singular entity and explore what experimental listening relations might emerge as a result of this figure.
