1 | KOGUT | 1:29 |
2 | untitled | 4:26 |
3 | M | 3:23 |
4 | untitled | 1:12 |
5 | KOGUT 2 | 3:10 |
6 | untitled | 2:35 |
7 | untitled | 2:29 |
8 | untitled | 4:30 |
9 | ETLA | 6:04 |
10 | untitled | 2:09 |
Antonina Nowacka has treated us to countless unforgettable performances over the years, both with her sister Bogumila Piotrowska in oneiric audio-visual duo WIDT, and in abstract minimalist trio Szpety. In this new work her voice responds to her surroundings and journey through the Oaxaca state in Mexico, recorded in a set of small churches scattered throughout her journey. Imbedded somewhere between the earthily and the metaphysical, her voice - alone, searching and unbound - acts as a receiver of her outer worlds; an emotive map of the terrain as she drifts from one place to another. As Tristan Bath elegantly puts it, "her solo practice focuses solely on the voice’s inherent connection to mental states, its ability to speak wordlessly, and the apparatus of speech itself."
"I made these recordings when travelling around the Oaxaca state in Mexico in February this year. I was following a trail of historic organs, but most of them were unaccessible. In the meantime, I discovered that many small churches in villages were open but rarely visited, and I realized they were actually perfect recording venues. What I also discovered, perhaps most significantly, was how interesting getting there was. Everyday I would look for churches to check out, and figuring out how to get there was an exciting part of the proccess. Some of the churches were in far out locations, not easy to access. But while I was travelling I discovered stunning mountainous landscapes, and I would transmit these beautiful experiences later when singing in the spaces. Sometimes I decided to get off road just when I saw an interesting spot. Sometimes I would go very far just to find out a church is closed, but then I would find a different one open nearby, and it would resonate with wonderful sound I did not expect. Whenever there were people in some of churches my interaction and recording would be more fragile as I didnt want to disturb anyone in their prayers."
- Antonina Nowacka