Brighton's Duncan Harrison presents an all new work of bizarre and beautiful junk-concrete, pieced together from unedited phone recordings and spread between two channels (left and right audio).
Like the two channels that unfurl the collection of unedited phone recordings, the sounds Duncan reveals are caught in dualities; the serious and unserious, the sad and ecstatic, the planned and unplanned; the musical and non-musical; the meaningful and meaningless. Whether twanging a guitar, walking into a rock bar, having chats with pals, rattling junk in a sink, making voice notes to himself, burping into the mic or rehearsing wrestling moves from memory, he provides a peep-holes to his inner and outer life, while never revealing a full picture. Through narrative juxtaposition, crude editorial cuts and double exposition, he plays a masked game of sleight of hand, unveiling layers of truth and untruth.
"Man is least himself when he talks in his own person" said Oscar Wilde. "Give him a mask and he will tell you the truth."
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Duncan Harrison - all voice memos & editing
Duncan Harrison, poet and sound maker, is one of the strong holders within the South English Weird Noise scene. His music displays a broad array of cut-up sound poetry, improvisational strategies and audio collages with sonic left-overs abstracted from daily environments. No surprise he regularly collaborates with the likes of Dylan Nyoukis, Karen Constance, Pascal Nichols, Ali Robertson and many more.
