| 1 | I | 6:30 |
| 2 | II | 6:49 |
| 3 | III | 17:43 |
| 4 | IV | 6:18 |
| 5 | V | 16:56 |
Keiji Haino, one of the foremost exponents of the Japanese avant-garde, always provides a masterclass in constantly shifting improvisation. John Butcher is a saxophonist of rare grace and power, who has expanded the vocabulary of the saxophone far beyond the conventions of jazz and other musics, to encompass a staggering range of multiphonics, overtones, percussive sounds, and electronic feedback.
Haino and Butcher met when Butcher opened for Fushitsusha at the show Cafe OTO arranged at St. John, Hackney - 5 years ago. In 2016 they were invited to play two duo concerts – at The Empty Gallery in Hong Kong and at Cafe OTO in London.
Otoroku is proud to present the audio documentation of their first UK meeting. Recorded live at Cafe OTO in July 2016 the results are an uncompromising milieu of swirling sound played out as a total union of these two legendary performers. Haino’s blues drenched guitar entices skittering notes from Butcher’s sax playing as numerous sonic clues unravel over the course of of this unique and compelling journey.
Light Never Bright Enough comes in a limited edition of 500 LPs and 500 CDs with matt sleeves and japanese removable obi-strip.
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Keiji Haino / vocal, guitar, flutes
John Butcher / saxophones and feedback
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Recorded live at Cafe OTO on the 9th July 2016 by Luca Consonni. Mixed by John Butcher. Mastered by Giuseppe Ielasi. Photography and design by ORGAN.
Tracklisting:
1. I - 6:30
2. II - 6:49
3. III - 17:43
4. IV - 6:18
5. V - 16:56
Born in Chiba on May 3, 1952. Inspired by Antonin Artaud he aimed for the theatre, but an encounter with The Doors stimulated him into music, where he has examined and absorbed a wide range of music from the early blues especially Blind Lemon Jefferson or European medieval music to popular songs across the world. In 1970 he joined a group “Lost Aaraaf” named after Edgar Allan Poe’s poem as a vocalist. Meanwhile, he started to work on home recordings and self-taught the guitar and percussions. In 1978 he formed a rock band “Fushitsusha,” and since 1988, after a recuperation period from 1983 to 1987, he has been internationally active in various forms including solo, groups such as Fushitsusha, Nijiumu, Aihiyo, Vajra, Sanhedrin, Seijaku, Nazoranai or The Hardy Rocks and DJ as “experimental mixture,” as well as collaborations with artists from different backgrounds, drawing the performance of the guitar, percussions, the hurdy gurdy, diverse wind and string instruments, local instruments from across the world and DJ gears to the extreme through unique techniques. He has released more than 200 recordings and performed live at least 1,800 times.
Butcher is well known as a saxophonist who attempts to engage with the uniqueness of time and place. His music ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and unusual acoustics. Since the early 80s he has collaborated with hundreds of artists – including Derek Bailey, Rhodri Davies, Andy Moor, Phil Minton, Christian Marclay, Eddie Prévost, Magda Mayas, Spontaneous Music Ensemble, Sophie Agnel, Gino Robair, Mark Sanders, John Tilbury, Okkyung Lee, John Edwards, Chris Corsano, Polwechsel and Steve Beresford.
Alongside long term projects he values occasional encounters; from large groups such as the WDR Sinfonieorchester & Butch Morris’ “London Skyscraper”, to duo concerts with Joe McPhee, Fred Frith, Akio Suzuki, Paal Nilssen-Love, Keiji Haino, David Toop, Angharad Davies, Otomo Yoshihide and Matthew Shipp.
Recent compositions include “Penny Wands” for Futurist Intonarumori, three HCMF commissions for his own groups, “Good Liquor Caused my Heart for to Sing” for the London Sinfonietta and “Tarab Cuts”, a response to recordings of early Arabic classical music which was shortlisted for a British Composer’s Award.
“English saxophonist John Butcher may be among the world’s most influential musicians, operating at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby.” – New York City Jazz Record.
