| 1 | Xermawek = 蔓草 = Trailing Plant | 4:00 |
| 2 | Temir Tas = 鐵石 = Iron Stone | 3:36 |
| 3 | Oyga Xomew = 沈思 = Muse | 6:00 |
| 4 | Mayda Konger = 柔和的棕色 | 3:27 |
| 5 | Duniye Jalganay = 虛幻世界 = False World | 3:15 |
| 6 | Aken = 阿肯 = The Minstrel | 4:32 |
| 7 | Kêngistik = 星空 I = Sky I | 3:38 |
| 8 | Mang-Mangker = 淡黃色的走馬 = Light Yellow Horse | 4:06 |
| 9 | Kêngistik = 星空 II = Sky II | 4:16 |
| 10 | Kara Torgay = 黑雲雀 = Dark Sparrow | 3:52 |
| 11 | Kêngistik 星空 III = Sky III | 3:31 |
| 12 | Kusny Korlan = 胡斯尼胡爾蘭 | 3:28 |
Mamer’s signature dombra solo album Kêngistik (meaning “sky” in Kazakh), arguably one of his best-received and widest-known works to date. Apart from tracks 3, 7, 9, 11 which are Mamer’s own composition, all tracks are interpretations of tradition Kazakh tunes. Instead of showing off his skills in the high-speed type of playing typical of dombra virtuosos, Mamer plays the dombra note by note, slowly and calmly, with heavy reverb. His approach to the instrument here, as in his other solo releases, reflects Mamer’s unique and contemporary understanding of the music tradition of his people.
The album was recorded in 2010, during the same session of Iz’s album Kөlêngkê. In the studio, Mamer involved in an argument with his friend Fei when the latter asked whether Mamer had “abandoned” the Kazakh tradition for rock music. Mamer turned the light off, recorded the whole album on dombra in one go, and left his friend with his answer: “This is my kind of tradition.”
Available as a 320k MP3 or 24bit FLAC download
