| 1 | The Mirror | 6:27 |
| 2 | Do You See What I Hear | 7:10 |
| 3 | Step Inside | 7:37 |
| 4 | Zoetrope | 1:45 |
| 5 | Feel It Steal It | 4:55 |
| 6 | World Of Wonder (Why We're Here) | 10:14 |
| 7 | Til The End Of Time | 0:58 |
| 8 | Free (My Prayer) | 6:29 |
| 9 | Bing Bong | 2:30 |
| 10 | The Other Side | 5:39 |
| 11 | Forever | 6:01 |
Previously released on accompanied by “Gone, Gone Beyond”, “The Mirror” is the dreamy soundtrack of an a/v project from collage artist extraordinaire Vicki Bennett aka People Like Us.
With ‘’The Mirror’’ Bennett continues her eternal disassembling of popular music by exploring how the narrative of familiar sounds/songs can change dramatically under a new context, with that context always changing, in a never-ending flow.
Each song is singular. And each song is a collage of and undefined number of other songs from other artists. It sounds familiar because that has been the modus operandi of People Like Us since the early 1990s. But “The Mirror” plays with the notion of familiar, driving around a collection of famous pop songs/artists, messing around with the memory of the listener and, of course, his unique comprehension of those specific songs applied in a new context.
Because of the use of familiar pop sounds, “The Mirror” is often grandiose. Like an epic film only with highs, never letting the listener down or letting him doubt the power of pop. Even, of course, when the coordinates are twisted, mixed, over or underrepresented. Each moment feels like something that could only happen in a parallel universe.
Although that may sound naïve, it’s just a lost thought of reaction to the beautiful collages of People Like Us in “The Mirror”. This mirror doesn’t reflect an image of ourselves or an image of pop. But an image on the way memories drift and are being constant rebuilt. An unfinished collage.
Available as 16bit FLAC or 320kbp MP3
“I believe that something does not diminish by doubling it and duplicating it, and I don’t believe in the art gallery ethic of the less there is of something, the more value it has.” - Vicki Bennett
Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992. Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.
This year marks 30 years for People Like Us, marked by a cover feature in The Wire Magazine (May 2021, a touring of Gone, Gone Beyond, a 360 immersive cinema installation to nyMusikk Oslo, SPILL Festival Ipswich, Attenborough Centre (ACCA) Brighton and London Barbican, and an evening hosted by People Like Us at their favourite venue Cafe OTO.
