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INCLUDES THE BOOK: NOTHING IS POSSIBLENERVOUSNESS, OR IMMORALITYDON’T WAIT TO BE HUNTED TO HIDEby T.R.S.: The Fucking Terrible Receding Shapes, trading as TRIPLE NEGATIVE 250 pages128 x 165 mm248 pages (195 b&w / 53 colour) AND the cassette TRIPLE NEGATIVE, Spoilt health. Edition of 100 copies Not obvious from any of the 3 front covers, but yes this is a Triple Negative product. T.R.S. is the eminence grease, the actual persons irresponsible. Before anyone else gets blamed: almost all writing/drawing is by Clinical Wastemn [“Matthew Hyland”], except for the best piece of writing (Down With Childhood & Adulthood, mostly by Mme Tlank [“Anja Büchele”]) and Best Picture (I IS FOR [YOU ARE NOT] IMPOTANT, by Adam Vass). Denis Velimirovich is right there from start to finish but blamelessly so. See back cover for group portraits [L-R Velimirovich, Tlank, Wastemn in both]. [2 weeks + 2.5 punitive migraines later] So —— the product is a compendium of bad bad grace/gratuitous disgrace, 1997-2022. Written 1998-2016; pictures made 2016-more or less now, apart from photocopied stickers/zine pages etc, which go back to 1997 (e.g. introuvable front/back covers of The Journal of Childish Psychology [*co-ed Naomi Rousseau, praised by the Sozialistisches Patientenkollektiv in a letter stating: only you have illness in your doing]). Other Zeichnungen are all accidence (i.e. opposite of Cagey “chance”). Media are colour pencil, ink, photocopiers, collage. More birds, sea, flowers and Tlank in them than you might think, along with usual utopian city ruins. All 2D going on 1. Even less clue what to write about written parts. Highlights of bathetic basso continuo? Full lyric sheet for Bad Emotional Investments (aggressive begging rebetiko on God Bless the Death Drive). 1998 thing about Artaud/Heaven’s Gate/workplace motivational psych [*1st pub. Semiotext(e) but handscrawled manuscript was so fucked the print version looked like they applied pre-millennial OCR]. Unpublished hommage to Aotearoa’s greatest living artist, Daniel S. Malone. Whole lot of B. Traven, Judge Schreber, Goya, Wm. Blake. Re-refutation of 1637 attempt by Massachusetts Bay Colony governor John Winthrop to refute Anne Hutchinson’s Antinomian heresies. Hymn of praise (described by Ben Watson as “craven”) to the late Robert Dellar/Ldn Mad Pride at large. 1 (one) actual love prose-poem, disguised by its 1st words being “T.J. Clark”, who is most definitely not the addressee.etc etc Whole text section is really just 20 years of trying & failing to write like the late Giovanni Intra [see, finally, www.semiotexte.com/pageee]. Some examples instead of more dysexplanation: Almost everything that befalls Schreber –- irritation by insects, violent headaches, fits of bellowing –- is attributed (with empirical evidence) to miraculous intervention. There’s no such thing as a single cause, there’s always something else behind it. – Nervousness, or Immorality [2004] ‘Non-verbal’ modes of communication are supposed to make life easier to understand and endure by breaking freight trains of language down into discrete, comfortable spaced signals. But each new ‘obstinate blockage’ is also a cryptic alarm. What can a smirk, an insistence, a flick of the wrist, be trusted not to mean other than endless conflicting demands and convolutions? If some people avoid being overwhelmed most of the time, that’s not because ‘non-linguistic’, ‘lateral’ thinking is tied to scientific progress, but because it plays to a bogus gallery of intuitions. – La vie pue, messieurs [1998] In him is the friend of bleeding.His boreholes are explicit and impressive.He would like to experience a Home InvasionAnd is almost afraid that Iwill commit that indiscretion. – Good Clean Dirt [2017] help mental illness to smoke and fume! an outpatient about towneyesore stomach and hidea hundred powers slumbering spoiled the carriagewayfor himself and others – Deforcement [2012] THERE’S NOTHING NOTSUPERFICIALABOUT IT! – Keys to the Street [2006] [clinical wastemn (“M.H.”), 21/4/2023]    

Triple Negative – T.R.S.: The Fucking Terrible Receding Shapes, trading as TRIPLE NEGATIVE – NOTHING IS POSSIBLE NERVOUSNESS, OR IMMORALITY DON’T WAIT TO BE HUNTED TO HIDE / SPOILT HEALTH

OTOroku is delighted to present 'not bad', an intricate and intensely galvanizing release from Breathing Heavy, the saxophone and sampler duo of Sam Andreae and Ciaran Mackle. Careening straight out of the blocks with a wildly invigorating immediacy, the duo scarcely seem to take a breath over the next thirty electrifying minutes. Myriad interweaving woodwind lines whirl and reel in convulsive fashion, overlapping patterns weave and dance like reflected light from water, and a dizzying array of motifs are conjured and discarded as if the pair were concerned about leaving any scrap of energy unspent. All the listener need do is to simply bask in the joyful tumult. Andreae's alto saxophone playing ranges widely from fluttering trills and an almost whinnying lyricism, to hefty squalls that seem to revel in a raw physicality. Alongside this (around, over, under, through), Mackle creates a densely swirling cataract of stuttering, tumbling sonic fragments that continuously reflect the entire entity back on itself like a collapsing hall of mirrors. There is obviously a level of deeply attuned interplay at work here that seems long-honed, but any attempt to discern the source of any given sound is rendered utterly moot. A duo performance this may be, but the end result is an undeniably symbiotic, fully-realised whole. -- Sam Andreae: alto saxophoneCiaran Mackle: sampler Recorded by Breathing HeavyMixed by Rory SalterMastered by Oli BarrettArtwork by Mio Ebisu  Thanks to Ash and Flora, Mio and Suzume and to Rory!

Breathing Heavy – not bad

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