Chinese free improvisation saxophonist / flutist 老丹 Lao Dan's debut saxophone solo album (previously released in cassette format, sold-out) reissue in 6-panel Digipak CD format, with new artwork. These recordings are from Qinglongdong Tunnel in Hangzhou, China. All natural cave reverbs, the free improvisation of Lao Dan's alto saxophone and the sound of the passengers and the cars were recorded, as every functioning individual."Lao Dan is a monster improviser. I'd never heard of him and I was completely swept away by his powerful playing and concept.""I have this feeling Lao is a soldier that cannot be silenced."Lao Dan is a freelance musician and wind instrument player, who started learning sax at the age of 8 and later turned to Dizi.During 2002 to 2006, he studied dizi in Beijing. In 2007, he was admitted with the highest score to Shenyang Conservatory of Music (SYCM), majoring in Dizi. During college, he served as the principal Dizi player of Youth Chinese Orchestra of SYCM.From 2012, he started his research on wind instruments from all over the world, including Jew's harp, Didgeridoo, Bansuri, Bamboo Sax, Duduk, etc. Lao Dan blends his own thoughts into the traditional way of playing Dizi, in which he pays a lot of attention on details of freedom, mood, thought and space. With plenty of performing and recording experience, Lao Dan has been experimenting more on his music since 2014. Based on Dizi and sax, adding various wind instruments and with new elements such as experiment, noise and improvisation, his music has been improved to a more substantial and creative level. He has also been actively cooperating with artists worldwide, including the legendary Japanese drummer Sabu Toyozumi.In 2013, he formed the music group Red Scarf with Deng Boyu and Li Xing, covering a variety of music genres including progressive rock, thrash metal, avant-garde jazz, funk metal and punk rock, and released their eponymous debut album in 2016.In May 2017, Lao Dan finishde recording his first Dizi solo album “Zhui Yun Zhu Meng (追云逐梦)” and it was ready to be released under Modern Sky World Music. In June, he joined a four-country avant-garde saxophone project raised by Japanese label Armageddon Nova, where his own composition “Self-destructive Machine (自毁机器)” is issued.  --- Lao Dan / alto saxophone, chinese flute --- Recorded by 老丹 at Qinglongdong Tunnel, Hangzhou, China23 August & 25 December 2017Mastered by Cyril Meysson in Saint-Étienne, France, January 2018Photography by 饒依爾 Rao Eer & 若潭 ruò tánTranslation by 呂立揚 Li-YangLayout by 若潭 ruò tán  

"A classically trained Chinese bamboo flutist, Lao Dan picked up the saxophone again around 2013 as he went wildly astray in the world of avant-garde jazz and free improvisation. While demonstrating an ever-growing ability to deliver explosive force and intensity in his free playing, Lao Dan keeps a brutal honesty in his approach to the instrument. He plays ‘jazz’ as what it is, not what it’s supposed to be. Navigating constantly between the East and the West, Lao Dan embraces a unique aesthetics which fuses all his past influences into a voice of glorious mayhem and sheer zaniness.Recorded in June 2019, this is a solo set in which two instruments – tenor saxophone and Zheng, also known as the Chinese zither – were played successively and simultaneously by hands and feet. The recording was made in one go with no overdub or effect added. Lao Dan never learned to play the Zheng properly before this very first attempt. As a result, he didn’t struggle at all to play it in an awkward way, while with the saxophone he did, as always, try very hard to do that.The cover art, created by Shenzhen-based artist Tiemei, is a portrait of Shennong, the Deity of medicine and agriculture in ancient Chinese mythology. The three tracks in Chinese Medicine are named after three species of herb each believed to have unique medicinal properties. It is our responsibility to remind you to take them with extra caution. In Chinese medicine, after all, every drug is a thirty-percent poison."

Lao Dan is one of artistic mainstays at our friends Old Heaven in Shenzhen, and one of the current key players in the improvised music, experimental music and jazz scenes in China. One day we really hope we can host Lao Dan in the venue, but in the meantime we're delighted to share this 4-part new solo offering, seeing Lao Dan explore the lyrical possibilities of the saxophone in a variety of different settings. On 'Don't Be Angry' Lao leans his tentative melodic phrasing against a flow of overlapping conversation, as if peeping his saxophone into a busy bar. Solos 1 & 2 are recorded alone in a quiet room, allowing him the space for his playing to cry, spiral and soar toward unfiltered emotive terrain. On the final piece, 'Song of Longevity' he branches out his playing, letting it wind its way around and sprawl through a bed of rolling fourth world electronica. -- Lao Dan - saxophones -- Cover & mastering by Oliver Barrett