Dublin born composer Seán Clancy’s (b. 1984) music has been described as ‘equal part sacred, seductive and superficial’ (Tempo), and as ‘exploring the tensions between found and original material, narrative and rupture, elite and vernacular values, and between innovation and intervention’ (Journal of Music). His work deals translation and examining minimal amounts of material over extended periods of time (sometimes with projected text). Recently he has been exploring this process by performing on synthesizers, often collaborating with other soloists and ensembles.