Saturday 1 August 2015, 8pm
Arto Lindsay has made a lifelong habit of crossing both geographical and musical borders. Born in the United States and raised in Brazil during the heyday of that country's pointedly eclectic Tropicália movement of the 1960s, the multi-faceted songwriter/producer/vocalist/guitarist has forged an international reputation as an artist whose work is as seductive as it is challenging.
From his late ‘70s recordings of abrasive “no wave” through his acclaimed series of solo albums beginning in the late ‘90s, Lindsay has bonded rhythms and melodies from diverse cultures and genres in provocative new ways, crafting inimitable soundscapes whose impact can range from fragile pop pleasure to sheer sonic assault.
Arto Lindsay (b. 1953) has stood at the intersection of music and art for more than four decades. As a member of DNA, he contributed to the foundation of No Wave. As bandleader for the Ambitious Lovers he developed an intensely subversive pop music,a hybrid of American and Brazilian styles.. Throughout his career, Lindsay has collaborated with both visual and musical artists, including Vito Acconci, Laurie Anderson, Animal Collective, Matthew Barney, Caetano Veloso and Rirkrit Tiravanija.Having been involved with carnaval in Brazil for many years in 2004 he began making parades.
Ashley Paul is an American performer and composer based in London. She uses an array of instruments including saxophone, clarinet, voice, guitar, bells and percussion, mixing disparate elements to create a colorful palate of sound that works its way into her intuitive songs; free forming, introverted melodies. This blend manifests beautiful and simple musical forms against acoustic experimentation.
Ashley has performed or recorded with Phill Niblock, Rashad Becker, Nik Colk Void, Loren Connors, Heatsick, Aki Onda, C. Spencer Yeh, Anthony Coleman, Bass Clef, Joe Maneri, Joe Morris, Seijiro Murayama, Greg Kelley, Bill Nace and Eli Keszler appearing on such labels as Important, PAN, ESP-DISK’ and Tzadik. She received a Masters of Music from New England Conservatory in 2007.
Michael Speers is a musician from Northern Ireland, currently based in London. Feedback is the basis of most of his practice, using the limitations of himself and electronic / acoustic equipment—namely percussion, no-input mixer, sampled media, test equipment and field recordings—to depict his engagement with reality through sound phenomena. The resultant soundscape is generally dense and abrasive, focussing on texture and spatial / material resonance, which is formed live in improvised performances, installations and electronic compositional work.
Collaborating with Paul Abbott as yPLO—the duo uses real/synthetic drums/electronics towards realising a speculative drum kit. A solo record is scheduled for release in 2019 with C.A.N.V.A.S.