Saturday 7 May 2016, 5pm, OTO Project Space
Double bassist Guillaume Viltard presents 6 duets across 5 evenings in the OTO Project Space.
“If acoustic instruments had been invented after the use of electricity and electronics, it would have represented a major advance in the history of music: perfect definition of sound, rich timbres, energy self-sufficiency, recyclable materials, etc.”
An intensely physical double-bassist Viltard was one of OTO’s first associate artists – he has played and performed here with musicians as diverse as Otomo Yoshihide and Kan Mikami, Louis Moholo-Moholo, and Evan Parker. Particularly memorable was a sensational solo set in support of Marc Ribot. Most often his work has been in the ‘classic’ jazz format of saxophone/bass/drums: from trios with the late Tony Marsh and Shabaka Hutchings, to most recently Eddie Prévost and Ken Vandermark.
His uncompromising, physical and rhythmic approach to the double-bass – always acoustic, adamant – connects to jazz learning from sources as diverse as Jean-Jacques Avenel, Barre Phillips, Johnny Mbizo Dyani and Ronnie Boykins.
His close association with OTO endures, and since late summer 2013 he has been part of a group of musicians playing, pushing and learning day and night in the OTO project space. Most often private, groupings around this new energy these groups are increasingly public, for example Steve Noble’s (new) Quartet.
“For over 10 years, I have only played unscripted/improvised music. I have experimented with the sound of the cello, limiting myself to the alive material at hand: vast and complicated layers within the instrument and myself; and to let this music evolve continuously in relationship with others. It relates to the process of uncovering an endless multiplicity of coexisting sense perspectives. And it deals with the energy that this gives rise to. For me, it is the most exciting place to play music from.”