Sunday 16 December 2018, 2pm
Please note that this is a matinee show – doors will open at 2pm and the performance will start shortly after.
“The most original compositional voice to emerge from Ireland in the past 20 years” (The Irish Times) and “Wild girl of Darmstadt” (Frankfurter Rundschau), composer and performer Jennifer Walshe was born in Dublin, Ireland. Her music has been commissioned, broadcast and performed all over the world. She has been the recipient of fellowships and prizes from the Foundation for Contemporary Arts, New York, the DAAD Berliner Künstlerprogramm, the Internationales Musikinstitut, Darmstadt and Akademie Schloss Solitude among others. Recent projects include TIME TIME TIME, an opera written in collaboration with the philosopher Timothy Morton, and THE SITE OF AN INVESTIGATION, a 30-minute epic for Walshe’s voice and orchestra, commissioned by the National Symphony Orchestra of Ireland. THE SITE has been performed by Walshe and the NSO, the BBC Scottish Symphony Orchestra and also the Lithuanian State Symphony Orchestra. A Late Anthology of Early Music Vol. 1: Ancient to Renaissance, her third solo album, was released on Tetbind in 2020. The album uses AI to rework canonical works from early Western music history. A Late Anthology was chosen as an album of the year in The Irish Times, The Wire and The Quietus. Walshe is currently a professor at the Hochschule für Musik und Darstellende Kunst, Stuttgart. Her work was recently profiled by Alex Ross in The New Yorker.
Through using sound recording to train his ears, Patterson has developed a dual practice that includes live performance and fixed works. By exploiting chemical and mechanical synthesis, he has created a range of amplified devices and processes that produce or uncover complex sound in unexpected places.
From rock chalk to springs, from burning nuts to aquatic life and insect chants inside plants, he eavesdrops upon and makes a novelty of playing objects and situations otherwise considered mute.
His collaborators have included Mika Vainio, Jennifer Walshe, Vanessa Rossetto, David Toop, Rhodri Davies and John Butcher, Greg Pope, Benedict Drew, Luke Fowler, Lucio Capece, Rie Nakajima, Angharad Davies, Keith Rowe, John Tilbury, Xavier Charles and Tetsuya Umeda.
His works have featured on UK television, BBC Radios 3, 4 and 6, Resonance FM and on radio stations worldwide.
He lives and works in Prestwich, Manchester, UK.
O’Dwyer is a multidisciplinary artist whose work is informed by both the conceptual concerns of sound art and traditional composition techniques, embracing the broader aesthetics of sound and its relationship to environment. She has created works for large-scale and intimate settings that allow for both planned and unplanned compositions to co-exist in live situ. Recent works include 'Poems for Daedalus’ , a series of site-specific performances developed in Athens 2018; the book 'Poems for play', a collection of scores for a Jesuit monastery; 'Accompaniment for Captives’ , a performance for two fishing boats; 'Performance for Live Stream' (Cafe OTO, 2021), an audio-visual work; 'Song of Place' (2022) a street opera staged in Bristol suburbia and ‘Sing in the Dark’ ( 2024 ) a live vocal performance for acousmonium.
https://aineodwyer.bandcamp.com/
Billy Steiger was born in Howth on the 16th December, 1986. Now he plays the violin.
“Then he sat down by a pond and began to play a tune. As he played, the most extraordinary thing happened. One by one the fish in the pond began to jump out and fly about in the air. And what is more, they were all different colours and they were singing to the music.”
Patrick, Quentin Blake.
https://billysteiger.bandcamp.com/
