Friday 8 November 2024, 7.30pm
“The most original compositional voice to emerge from Ireland in the past 20 years” – The Irish Times
Delighted to host a three-day residency with Irish composer, vocalist and artist, Jennifer Walshe. Spanning the phenomenal breadth of Walshe's creative practice – sets with a collaborators old and new, as well as performance and film work - this will be an unmissable trio of shows.
Jennifer Walshe was born in Dublin, Ireland. Her music has been commissioned, broadcast and performed all over the world. She has been the recipient of fellowships and prizes from the Foundation for Contemporary Arts, New York, the DAAD Berliner Künstlerprogramm, the Internationales Musikinstitut, Darmstadt and Akademie Schloss Solitude among others. Recent projects include TIME TIME TIME, an opera written in collaboration with the philosopher Timothy Morton, and THE SITE OF AN INVESTIGATION, a 30-minute epic for Walshe’s voice and orchestra, commissioned by the National Symphony Orchestra of Ireland. THE SITE has been performed by Walshe and the NSO, the BBC Scottish Symphony Orchestra and also the Lithuanian State Symphony Orchestra. Walshe has worked extensively with AI. ULTRACHUNK, made in collaboration with Memo Akten in 2018, features an AI-generated version of Walshe. A Late Anthology of Early Music Vol. 1: Ancient to Renaissance, her third solo album, released on Tetbind in 2020, uses AI to rework canonical works from early Western music history. A Late Anthology was chosen as an album of the year in The Irish Times, The Wire and The Quietus.
Panos Ghikas (b. 1972, Athens, GR) is a London-based composer, improviser and producer. His output encompasses concert music, live improvisation, interdisciplinary collaborations in digital media, film music and pop production. He is a member of surrealist post-pop band The Chap (7 albums, over 400 performances internationally since 2000) and runs Migro Records (est. 2011), a label that releases work that falls into the intersection between composition and free improvisation. Panos performs and releases with Jennifer Walshe in improv duo Ghikas and Walshe and performs violin and viola in groups Friendo and Unreal-time Group. His work features in over 60 releases (Universal, EMI, Lo Recordings (UK), Ghostly International (US) and Staatsakt (DE) and has been performed and broadcast internationally. His music for screen features in TV programmes and commercials around the world and is available through the Universal Production Music library. Remix credits include artists such as Gotye, Beck, Block Party, Tom Vek amongst others. His acoustic compositions have received performances in the UK, Germany, Belgium, Greece and Mexico, by performers such as the Arditti Quartet, Ensemble Exposé, the Kreutzer Quartet and Christopher Redgate.
Through using sound recording to train his ears, Patterson has developed a dual practice that includes live performance and fixed works. By exploiting chemical and mechanical synthesis, he has created a range of amplified devices and processes that produce or uncover complex sound in unexpected places.
From rock chalk to springs, from burning nuts to aquatic life and insect chants inside plants, he eavesdrops upon and makes a novelty of playing objects and situations otherwise considered mute.
His collaborators have included Mika Vainio, Jennifer Walshe, Vanessa Rossetto, David Toop, Rhodri Davies and John Butcher, Greg Pope, Benedict Drew, Luke Fowler, Lucio Capece, Rie Nakajima, Angharad Davies, Keith Rowe, John Tilbury, Xavier Charles and Tetsuya Umeda.
His works have featured on UK television, BBC Radios 3, 4 and 6, Resonance FM and on radio stations worldwide.
He lives and works in Prestwich, Manchester, UK.
Mariam Rezaei is a multi-award winning composer, turntablist and performer. She previously led experimental arts project TOPH, TUSK FRINGE and TUSK NORTH, and in November 2022, received the Paul Hamlyn Foundation Awards For Artists in recognition of her contribution to music composition. Her music has recently been described as ‘genuinely ground-breaking’ (London Jazz News 2022) and ‘high-velocity sonic surrealism’ (4* The Guardian 2022). Recent releases include ‘BOWN’ on Heat Crimes, 'SADTITZZ' and ‘SKEEN'. Recent performances include Turntable Trio with Evicshen and Maria Chávez at Counterflows/ REWIRE 2023, and as soloist and co-composer of ‘6 Scenes for Turntables and Orchestra’ with Matt Shlomowitz for ICTUS/Frankfurt Radio Orchestra, for the final concert at IM Darmstadt 2023.
Nick Roth is a saxophonist, composer and producer. His work seeks the liberation of improvisation from composition, the poetic syntax of philosophical enquiry, and the function of music as translative epistemology. A curious predisposition and a steadfast refusal to accept the existence of boundaries between the real and the imaginary has led to collaborations with an array of international performers, composers, choreographers, visual artists, poets, sculptors, directors, festivals and ensembles. Often engaging in conversation with scientists from such diverse fields as mathematical biology, astrophysics, forest canopy ecology, orchidology, quantum loop gravity or hydrology, his work is an investigation into how we can come to know through the art of music.
Simultaneously subsumed by an insatiable appetite for literature, many of his compositions explore the symbiotic resonance of language as sound and symbol. He has served as artist-in-residence at institutions including the European Space Agency (ESTEC), California Academy of Sciences (CalAcademy), dlr LexIcon, Centre Culturel Irlandais, Paris (CCI), and the Irish Museum of Modern Art (IMMA). He is a founding member of The Water Project, artistic co-director of Unreal Cities, and a partner at Diatribe Records, Ireland's leading record label for new sounds.
