Sunday 6 December 2020, 7.45pm
Special livestream featuring two sets from The Custodians Of The Realm, a London based trio working with text, compositions and improvisation. The Custodians are Adam Bohman (amplified objects+strings), Sue Lynch (tenor saxophone/clarinet), Adrian Northover (saxes + electronics) plus special guests for this show; Crystabel Riley (drums) and John Edwards (double-bass)!
Adam Bohman has been operating on the outer fringes of underground music for decades. Working with home-built instruments, found objects, tape cut-ups, collages, ink drawings and graphic scores. Favouring acoustic sounds over electronics, he explores the minute tendrils of sounds coaxed from any number of non-musical instruments and objects. He is a member of British experimental groups, Morphogenesis, The Bohman Brothers, Secluded Bronte, and The London Improvisers Orchestra. Adam's music is unique and experimental, incorporating Fluxus japery, musique concrete, sound poetry and free improvisation.
Tenor saxophone, clarinet, flute and composition. Sue Lynch currently runs ‘The Horse Improvised Music Club’ with Adam Bohman, Hutch Demouilpied and Adrian Northover.Performs with Adam Bohman, Eddie Prevost, Richard Sanderson, Anna Homler, Steve Noble, Crystabel Riley, Caroline Kraabel and Sharon Gal.
In 2016 she formed, ‘Paradise Yard’, an electro acoustic ensemble, featuring women improvisers, performing at Iklectik, Cafe Oto and The ICA. In 2018, she performed at 3 Klange Tag Music &Word Festival, Switzerland with Hildegard Kleeb, at Womad BBC Stage and, Tusk Festival and Guess Who Festival with Psychedelic Afro Beat Sudanese band, The Scorpios. Solo performance at Pied Nu Festival, Le Havre 2019. Recent releases with FMR records with ‘Dial’, a quartet featuring, Sue Lynch, Dawid Frydyk, John Edwards and Dave Fowler and ‘Secant/Tangent’ (dxdy recordings) with Crystabel Riley and Nathan Moore.
https://suelynch.bandcamp.com/
Adrian plays soprano, sopranino and alto saxophones, and is based in London. He can currently be heard playing on the London club scene with a wide range of musicians, including the London Improvisers Orchestra, as well as doing solo saxophone performances.
Adrian also works with film/sound and runs 'Ensemble Kino', a pool of musicians providing live music to film, as well as the yearly Triptik film night events, involving a stellar cast of improvisers.
As well as 'Jazz Thali' (Indo -Greek Jazz fusion) with Harvir Sahota (tabla) and Tasos Stamou (bouzouki), he can also be booked to play Bollywood tunes for weddings, either as solo sax on in a duo with tabla.
During the late noughties Crystabel Efemena Riley toured Japan and Europe using drums, electronics and make-up in power-noise trio Maria and the Mirrors. This was the start of her interest in patterns on skins — human and drum. An interest in dimensional patterns existing on (and off) different surfaces has continued to evolve through exploring the idea of 'care and uncare' of various skin surfaces. Crystabel has been a long-term collaborator with Sue Lynch who welcomed her into the Horse Improvised Music Club and later played in the London Improvisers Orchestra. She is currently working on the multi-format duo project @xcrswx with Seymour Wright and recently released a split vinyl with Lolina.
John Edwards grew up in London and started experimenting with the bass guitar before he switched in his twenties to play double bass. He is deeply rooted in the creative free jazz and improvisation genre. Since the 80ties he is as soloist and in many groups and ensembles in Europe active and became one of the most renowned bass players. He played/plays regular for example with Peter Brötzmann, Joe Mc Phee, Phil Minton, Maggie Nichols, Evan Parker, Roscoe Michtell, Louis Moholo-Moholo, Mark Sanders, Caroline Kraabel, John Butcher, Pat Thomas, Irène Schweizer, Hans Koch, Florian Stoffner, Gabriele Mitelli, John Dikeman.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment