Tuesday 26 July 2022, 8pm

Safa + Mariam Rezaei & Alya Al-Sultani + Yamen Mekdad

No Longer Available

Excited to host this excellent line-up loosely themed around new experimental music from the Middle East, featuring musician, architect and researcher, Safa; the jaw-dropping duo of composer, turntablist and performer, Mariam Rezaei and vocalist and composer, Alya Al-Sultani; and music researcher, collector, DJ and radio host, Yamen Mekdad.

Safa

Mhamad Safa is a musician, architect and researcher, based between London and Beirut. Safa’s work focuses on multi-scalar spatial conditions and their sonic make-ups. He explores their intersections with aural legacies of traditional and subcultural practices as well as environments of conflict and violence. He conveys these auditory inquiries by assembling sound design, micro-sampling, algorithmic sound technology, psychoacoustics, field recordings, and their graphic interpretations. Culminating with heavily percussive and rhythmically odd interventions, these sonic irregularities are often repurposed as speculative experimentations on the futures of dance culture. In addition to his research in sound, film scoring and installations, he has released music both solo and collectively. Most recently, his album Ibtihalat was released on UIQ with compositions that contemplate sonorous futures of traditional musical practices from the Arabian Peninsula and North Africa.

mhamadsafa.com

Mariam Rezaei

Mariam Rezaei is a multi-award winning composer, turntablist and performer. She previously led experimental arts project TOPH, TUSK FRINGE and TUSK NORTH, and in November 2022, received the Paul Hamlyn Foundation Awards For Artists in recognition of her contribution to music composition. Her music has recently been described as ‘genuinely ground-breaking’ (London Jazz News 2022) and ‘high-velocity sonic surrealism’ (4* The Guardian 2022). Recent releases include ‘BOWN’ on Heat Crimes, 'SADTITZZ' and ‘SKEEN'. Recent performances include Turntable Trio with Evicshen and Maria Chávez at Counterflows/ REWIRE 2023, and as soloist and co-composer of ‘6 Scenes for Turntables and Orchestra’ with Matt Shlomowitz for ICTUS/Frankfurt Radio Orchestra, for the final concert at IM Darmstadt 2023.

Alya Al-Sultani

Alya Al-Sultani is a vocalist and composer based in London, UK. Her first musical experiences were Iraqi folk songs sung by her great grandmother and radio broadcasts of Um Kolthum, Abdel-Halim and Fairouz which she listened to with her family while drinking sweet black tea infused with cardamom. After leaving Iraq during the Iran-Iraq war, her family settled in Tottenham, North London where she began to discover the incredible new sounds of the 80s and music from the Caribbean.

Her musical education was entirely classically-focussed, on piano and voice. She learned the importance of technique, tradition, theory, respecting fellow musicians and respecting the music. But she did not learn freedom and it is this she has sought for the last decade. The pursuit of freedom in music is driven by her aesthetic, her immigrant experience and her Eastern feminism.

Apart from working on her own projects, Alya enjoys debuting new music for contemporary composers and experimenting with opera, including the integration of improvisation techniques, microtonal ideas and Eastern influences.

Yamen Mekdad

Yamen Mekdad is a Syrian artist, filmmaker and community organiser based in London. His practice is an experimentation in radical collaboration with a focus on the relationship between sound and geography as well as the political possibility of sound. His interests in field recording, archiving, radio and grassroots organising led him to co-found the collectives Sawt of the Earth, Makkam and Sadaa Sound Syndicate. He is a frequent contributor to a number of radio stations, including Root, Balami, NTS and AlHara. Yamen is also curator and producer of Syrian Cassette Archives, the Syrian Arts and Culture Festival (SACF) and Sawt Syria a Boiler Room & Sadaa Sound Syndicate collaboration, exploring the inner worlds of the underground music scene in Syria and its exilic diaspora in Europe.

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