Sunday 12 May 2019, 7.30pm
Delighted to present this special festival celebrating Oren Ambarchi's 50th birthday and 10 years of his Black Truffle label. Spilling over three unmissable days, the festival (curated by Oren himself) features a packed international bill of special guests, projects and collaborations, all closely associated with Oren and his label.
- Alvin Curran & Oren Ambarchi duo
- Eiko Ishibashi solo
- James Rushford & Will Guthrie duo
- Joe Talia "Tint"
James Rushford is an Australian composer-performer. His work is drawn from a familiarity with specific concrète, improvised, avant-garde and collagist languages. Currently, his work deals with the aesthetic concept of musical shadow.
As a composer, James has been commissioned by the BBC Scottish Symphony Orchestra (Glasgow), Melbourne Symphony Orchestra, Ensemble Neon (Oslo), Speak Percussion, Synergy Percussion, Ensemble Vortex (Geneva), Ensemble Offspring, Soundstream, The Song Company, Decibel, Melbourne International Arts Festival (2006/2008), Norway Ultima Festival (2011), Unsound Festival (New York 2014) and Liquid Architecture Festival (2010).
As a performer, he has presented work at STEIM Institute (Amsterdam), Logos Foundation (Ghent), Issue Project Room (New York), Instants Chavirés (Montreuil), Constellation (Chicago), Super Deluxe (Tokyo), Blank Forms (New York), Monday Evening Concerts (Los Angeles), Cave12 (Geneva), Send & Receive Festival (Winnipeg), WORM (Rotterdam), Centre for Contemporary Art (Warsaw), Only Connect Festival (Oslo), Now Now (2011/2012), Adelaide Festival (2014), Melbourne International Jazz Festival (2011) and the Tectonics Festival (Adelaide 2014, New York 2015, Tel Aviv 2015). He has also performed live with the Krakow Sinfonietta, Australian Art Orchestra, Michel Pisaro, Eyvind King, David Behrman and Jon Rose.
James has collaborative projects with Joe Talia, Golden Fur (with Samuel Dunscombe & Judith Hamann), Ora Clementi (with crys cole), Will Guthrie, Oren Ambarchi, Klaus Lang, Kassel Jaeger, Annea Lockwood, Graham Lambkin, Francis Plagne, Tashi Wada, the visual artist Michael Salerno and the writer Dennis Cooper.
His music has been published by Pogus (US), Prisma (Norway), Bocian (Poland), Penultimate Press (UK), Black Truffle (AUS), Holidays (IT) and KYE (US).
James holds a Doctorate from the California Institute of the Arts, and was a 2018 fellow at Akademie Schloss Solitude in Stuttgart.
Will Guthrie is an Australian drummer / percussionist living in France. He works in many different settings of music: live performance, improvisation and studio composition using various combinations of drums, percussion, objects, junk, amplification and electronics.
He plays solo and in various projects such as THE AMES ROOM, ELWOOD & GUTHRIE & THE SOMMES ENSEMBLE. His music has been released on labels such as Gaffer Records, Erstwhile, Clean Feed, 23five, Editions Mego, Ipecac and his own label Antboy Music.
Regular collaborators past and present include Oren Ambarchi, James Rushford, Jean-Luc Guionnet, Mark Fell, Roscoe Mitchell, Anthony Pateras, Chulki Hong, Jérôme Noetinger, Keith Rowe, David Maranha, Ava Mendoza, the film maker Hangjun Lee and choreographer/dancer Mette Ingvartsen.
Oren Ambarchi is a composer, multi-instrumentalist and musical polymath who has been releasing records with the frequency of someone who prefers studio time to sleep. His remarkably prolific and diverse oeuvre since the 90's has included releases such as “Suspension” (2002), “Grapes From The Estate” (2004), “Audience Of One” & “Sagittarian Domain” (both 2012), “Quixotism” (2014) & “Hubris” (2016).
Ambarchi continues to collaborate with artists the world over and in the last few years his longform compositions have featured many friends and collaborators constituting some of his most adventurous work to date and demonstrating his slippery capacity for stylistic shapeshifting whilst retaining his singular musical language.
Democratic, irreverent and traditionally experimental, Curran travels in a computerized covered wagon between the Golden Gate and the Tiber River, and makes music for every occasion with any sounding phenomena -- a volatile mix of lyricism and chaos, structure and indeterminacy, fog horns, fiddles and fiddle heads. He is dedicated to the restoration of dignity to the profession of making non-commercial music as part of a personal search for future social, political and spiritual forms.
Curran's music-making embraces all the contradictions (composed/improvised, tonal/atonal, maximal/minimal...) in a serene dialectical encounter. His more than 200 works feature taped/sampled natural sounds, piano, synthesizers, computers, violin, percussion, shofar, ship horns, accordion and chorus. Whether in the intimate form of his well-known solo performances, or pure chamber music, experimental radio works or large-scale site-specific sound environments and installations, all forge a very personal language from all the languages through dedicated research and recombinant invention.
Joe Talia is an Australian drummer, composer and record producer/engineer based in Tokyo. He first established his reputation as a drummer in contemporary jazz and improvised music fields in which he is now active as a member of the ARIA award winning Andrea Keller Quartet and in numerous collaborative projects, including a long-term duo with Oren Ambarchi. In the last few years a great deal of his work as a drummer has taken place alongside outsider singer-songwriters (such as Ned Collette, Yuko Kono and Francis Plagne), in groups which synthesize his adventurous, exploratory drumming with the demands of song form. His longstanding musical partnership with Ned Collette has resulted in four records, on which Talia acts as both drummer and producer/engineer, most recently Networking in Purgatory (Bronze Rat 2013).
Talia also works in the realm of electro-acoustic composition and performance, working with reel-to-reel tape machines and other analogue devices. Following the release of his musique concrete suite in/exterior in 2006, he established a duo with composer James Rushford. Although the duo’s working methods and sound sources have changed radically between releases (and even performances), all of their work breathes the same peculiar air of lingering obsession and decayed virtuosity. Having worked with extended instrumental timbres and rapid-fire electro-acoustic techniques on previous releases, their most recent LP Manhunter (Kye 2013) develops a unique palette of submerged synthesizers, expiring drum machines and domestic detritus.
In addition to the collaborations above he has performed with Jim O'Rourke, Keiji Haino, Oren Ambarchi, Toshimaru Nakamura, Akira Sakata, Marco Fusinato, Tetuzi Akiyama, Richard Pinhas, John Duncan, Koichi Makigami, Eiko Ishibashi,Thembi Soddell, Anthea Caddy, Sean Baxter, Robbie Avenaim, David Shea, Rand and Holland, The Australian Art Orchestra among others.
As a studio engineer, producer and mixer he has worked on records for Oren Ambarchi, Stephen O’Malley, Keiji Haino, Jim O’Rourke, Fire! and many others.
Eiko Ishibashi is a Japanese improvisor, producer, and singer-songwriter. As her albums demonstrate, she is equally comfortable composing and performing everything from quirky pop, modern classical music, and prog to the extremes of improvisational jazz and noise. She has performed and toured with Jim ORourke, Keiji Haino, Akira Sakata, Charlemagne Palestine, Oren Ambarchi, and Glenn Kotche, to name a few. Her 2014 offering, Car and Freezer, offered evidence of the seam where her quirky brand of pop met complex jazz composition, while Kouen Kyoudai, her 2016 album-length collaboration with Masami Akita (Merzbow) offered an exercise in industrial improvisation.
Ishibashi's main instrument is piano, though she is adept at drums, flute, and vibraphone. Her first "solo" recording was Slip Beneath the Distant Tree in 2007, a double-length duo offering with Ruins bassist Tatsuya Yoshida. She followed it a year later with the innovative Drifting Devil. The album captured the critical imagination of Japanese journalists -- many of whom selected it as one of the year's best recordings -- as well as the admiration of fellow musicians, and her reputation grew.
In 2010 she met O'Rourke when they were both invited to play on Phew's Five Finger Discount. He asked her to perform on his All Kinds of People: Love Burt Bacharach tribute set and they joined one another's bands. He produced Ishibashi's 2011 album Carapace, and recorded and mixed her solo piano follow-up, I'm Armed. In 2013, she played on Gaspar Claus' Jo Ha Kyū alongside Ryuichi Sakamoto, Haino, and Kazutoki Umezu. She also signed to Drag City, which released Imitation of Life and followed it with Car and Freezer in 2014. Ishibashi and O'Rourke were also members of Kafka's Ibiki, who cut three albums between 2013 and 2014. She played on O'Rourke's Simple Songs in 2015 and kept up a rigorous touring regimen that included playing her own shows and with O'Rourke and their band. She also found time to form RNA with Fumio Kosakai (Incapacitants) and Kimihide Kusafuka (K2), and cut the double-cassette release No New Tokyo.
In early 2016, Ishibashi released another duo recording, this one in collaboration with Masami Akita (aka Merzbow); entitled Kouen Kyoudaireleased on Editions Mego. That same year she also worked with experimental sound artist and composer John Duncan on his full-length Bitter Earth, and privately released the digital-only piano trio full-length Six Feet Under with bassist Toshiaki Sudoh and drummer Tatsuhisa Yamamoto. After time off and touring with O'Rourke, Ishibashi returned to the studio in 2018 and released the experimental Ichida in collaboration with composer and multi-instrumentalist Darin Gray on Black Truffle, and her own mutant pop collection, The Dream My Bones Dream on Drag City.