Thursday 27 February 2025, 7.30pm
Delighted to welcome back the great Japanese artist, Sachiko M, for her first headline shows at OTO in nearly a decade!
An internationally active improvisational musician utilizing electronic instruments which generate signals of testing noise (sinewaves), Sachiko M has been active as a sampler player since 1994. Early in her career she was involved in the cut-up and "plunderphonic" (or "plagiaristic") sampling movements. In 1998, in a drastic departure from those approaches, she originated the revolutionary method she uses to this day - manipulating the sampler's internal test tones.
With the 2000 release of Sine Wave Solo, her extreme solo recording consisting entirely of sine waves, Sachiko M suddenly became the focus of intense interest on the international scene, including European music festivals and Britain's Wire magazine. Since then she's been active on an irregular basis in a number of projects - including the experimental electronic music duo Filament, the electronics trio I.S.O., a duo with Toshimaru Nakamura, and the duo Cosmos with Ami Yoshida, in addition to collaborating with various musicians from other countries.
Angharad Davies is a Welsh violinist based in London working with free-improvisation, compositions and performance.Her approach to sound involves attentive listening and exploring beyond the sonic confines of her instrument, her classical training and performance expectation.
Much of her work involves collaboration. She has long standing duos with Tisha Mukarji, Dominic Lash and Lina Lapelyte and plays with Common Objects, Cranc and Skogen. She has been involved in projects with Tarek Atui, Tony Conrad, Richard Dawson, Gwenno, Roberta Jean, Jack McNamara, Rie Nakajima, Tim Parkinson, Eliane Radigue, Georgia Ruth and J.G.Thirlwell.
Most of her records are released on Another Timbre but she also has releases on Absinth Records, Confrontrecords, Emanem, Potlatch and winds measure recordings.Her first orchestral piece was commissioned by LCMF in 2019.
Lina Lapelytė is an artist, musician, creator of performance art and contemporary opera. Initially trained as a classical violinist, Lina Lapelytė has developed an ongoing interest and research into experimental music, amateur performance, and historical genres. In her recent work, Lapelytė traverses between disciplines and explores various forms of performativity. Her works engage trained and untrained performers often in an act of ‘singing’ through a wide range of genres such as mainstream music and opera, while examining issues of displacement, otherness, ageing and gender. The singing takes the form of a collective and affective event that questions vulnerability and silencing. In 2013 her creative collaboration with Rugilė Barzdžiukaitė and Vaiva Grainytė led to the creation of the contemporary opera Have a Good Day! which is a story of the ten cashiers and their invisible lives. The opera was shown in dozens of international festivals around the world, and received six international awards. The climate change opera-performance Sun & Sea (2017) was the second project the trio co-created, which received the Golden Lion Award of the Venice Art Biennale 2019.
artist / . (linalapelyte.com)
MICL - Music Information Centre Lithuania | Database - Classical / Contemporary - Composers - Lina Lapelytė
Sun &Sea (Marina): Index (sunandsea.lt)
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann
