Tuesday 12 September 2017, 7.30pm
“British jazz's new king.” – Jazzwise
Delighted to welcome saxophonist, band leader and composer, Shabaka Hutchings to OTO for a three day residency spanning the wide range of his constantly evolving creative output.
PROGRAMME - DAY TWO
Q&A hosted by Kevin Le Gendre
John Edwards / bass
Mark Sanders / drums
Shabaka Hutchings / sax
Pat Thomas / keyboard
Roger Turner / drums
Hutchings was born in 1984 in London. He moved to Barbados at the age of six, began studying classical clarinet aged nine and remained until sixteen. Shabaka's primary project is the group Sons of Kemet, which won the 2013 MOBO Award for Jazz Act of the Year. In June 2014 Shabaka was invited to join the Sun Ra Arkestra, performing with them and recording a session for BBC Radio 3. He has performed and recorded with Courtney Pine's Jazz Warriors, Mulatu Astatke and the Heliocentrics, Polar Bear and Soweto Kinch. Some of the many notable musicians he has shared the stage with include Jack DeJohnette, Charlie Haden and the Liberation Music Orchestra, Louis Moholo, Evan Parker, King Sunny Ade and Orlando Julius to name a few.
As part of the Caribbean diaspora, he sees his role as that of pushing the boundaries of what musical elements are considered to be Caribbean. Constantly evaluating the nature of his relationship with musical material and tradition, he describes his attempts at composition as wrestling matches with questions of where and how the Caribbean can be encoded, and what happens when it is exposed to the western classical music cannon.
John Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, Mulatu Astatke and many others.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment
Mark has worked with a host of renowned musicians including Derek Bailey, Henry Grimes, Mathew Shipp, Evan Parker, Roswell Rudd, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.
In situations using composition Mark works in a number of projects including Christian Marclay’s Everyday for film and live music and John Butcher’s Tarab Cuts - both projects have performed major festivals throughout Europe and Brazil. He has performed works by guitarist John Coxon in Glasgow and Sydney playing with the Scottish and Sydney Symphony Orchestras. With New York’s ICE Ensemble he has performed John Zorn’s The Tempest in London and at Huddersfield New Music Festival.
Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, and the ensembles of Sarah Gail Brand, including a long-standing duo. He has a lengthy discography including a solo album, has performed internationally and played at major festivals including, Nickelsdorf, Ulrichsburg, Womad and notably at Glastonbury with legendary saxophonist John Tchicai.
"ubiquitous, diverse and constantly creative, drummer Mark Sanders always outdoes himself, whether playing with restraint or erupting like a dynamo." Bruce L Gallenter, Downtown Music Gallery. NY
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann
Over decades Roger Turner has brought the renowned volcanic power and finely honed precision of his drum work to ensembles that have often forged real connections with musicians both sides of the Atlantic. In addition he has worked extensively in the microscopic laboratory of the acoustic duo situation where he acquired a highly developed sense of detail and of dynamic control. One of that select group of world-class players who have collectively redefined the language of contemporary percussion. In Turner's hands minute inflections of tension can shape the group's musical direction and galvanise a new level of audience experience.
Kevin Le Gendre is a journalist and broadcaster with an interest in black music, literature and culture. Since the late 90s he has written about soul, jazz, African and Caribbean musicians and authors for a wide variety of publications that includes Echoes, Jazzwise, The Independent, The Guardian and Vibrations [Switzerland]. He has also contributed to and presented programmes for BBC Radio 3 and 4 such as Jazz Line Up and Front Row. In 2013 his first book Soul Unsung: Reflections On The Band In Black Popular Music was published to critical acclaim by Equinox.