Saturday 21 December 2019, 7.30pm
“There’s no other band working today for whom the words ‘post-everything’ ring quite as true as they do for Shit & Shine. They’ve traversed uncharted plains between noise rock, outright digital abstraction, and pop-like tropes, shifting from non-sequitur to non-sequitur, donning blue face makeup and rabbit masks, and yelling rambled nonsense over drum rhythms repeated for half an hour at a time before breaking into haphazardly assembled concrete pop. They’re utterly unlike anything else, but only by being sort of like everything else all at once.” – Drowned In Sound
“Based in Texas, Craig Clouse makes a lot of music, and he has fun doing it. How else do you explain record titles like Cunts with Roses, Toilet Door Tits, You’re Lucky to Have Friends Like Us and, perhaps best of all, Find Out What Happens When People Start Being Polite For A Fucking Change?
For over 10 years, Clouse and the various other musicians who’ve been in and out of Shine and Shine – the group’s press material regularly refers to performing live with 10 drummers at a time – have been gutting post-punk, krautrock, electro and more for parts, combining the grubbiest aspects of all those sounds into something that’s somewhere between Big Black and Big Beat.” – FACT
Native South Londoner Dale Cornish explores the edges of and similarities between experimental music, electroacoustic and dance music. Since being part of the London electroclash movement at the beginning of the 21st century, Cornish has carved out a singular path that both combines and distorts experimental and club music sounds and tropes into new and unusual forms. Cornish’s output includes five albums for Entr’acte and several editions for The Tapeworm. His most recent and celebrated work ‘Traditional Music of South London’ was released by Manchester’s The Death Of Rave in 2022.