Monday 14 September 2015, 8pm
“... the way aggressive consumerist melody is condensed down into shards of what sounds like granular synthesis is head-spinning.” - Derek Walmsley, The WIRE, on Theo Burt
Theo Burt is a UK based musician and artist working with live performance, recorded music and audio-video work. Albums include Summer Mix (Entr’acte / Death of Rave, 2011) and Gloss (Presto!?, 2015). His work incorporates computer and hardware sound/video synthesis, restructurings of existing music and contextual conflicts. Recent work has incorporated multiple sound and light clusters in large spaces, including “The war will feed itself” (2017) in the turbine hall in GES-2, Moscow for VAC’s Geometry of Now project.
Native South Londoner Dale Cornish explores the edges of and similarities between experimental music, electroacoustic and dance music. Since being part of the London electroclash movement at the beginning of the 21st century, Cornish has carved out a singular path that both combines and distorts experimental and club music sounds and tropes into new and unusual forms. Cornish’s output includes five albums for Entr’acte and several editions for The Tapeworm. His most recent and celebrated work ‘Traditional Music of South London’ was released by Manchester’s The Death Of Rave in 2022.
LAG OS is the new solo project from Rubén Patiño (Barcelona, 1979), a Berlin-based artist working in the field of Electronic Music & Fine Arts while explores the limits of concert, public event and installation. He has published releases oin labels such as Anòmia, Free Software Series and Alku amongst others and has upcoming records on Anòmia, Ge-Stell and HyperMedium.
He is part of N.M.O. a rolling computerized ceremonial aerobics unit that together with percussionist Morten J Olsen. operates in a hybrid territory between club music, performance and inventive forms of sound spatialisation. Rubén Patiño has also collaborated with Arnau Sala aka Exoteric Continent and with Roc Jiménez de Cisneros as a rare occasional EVOL member and in Super-boredom, a series of multi-channel audio pieces that uses an extremely rigid temporal structure. This occasion would be one of the first appearances as LAG OS a project based on the idea of generating sounds from a mysterious swamp that moves in between viscous mud, watery abstract landscapes and acidic tonalities.
http://patooo.net
