Tuesday 24 September 2024, 7.30pm
TLC23 is the London based collective instigated by Artists Keira Fox and Katie Shannon. The project initiated out of combined interest and research into mania, trauma states and unravelling female personas within film, writing and performance.
This led to collectivised events, their first in 2021 in London, enacting their research via performance, music, set dressing, site specific happenings, curating and organising. TLC23 collaborates with fellow artists, musicians and makers to create blurred line environments between music event and art space.
+ Musical interjections and interferences by Keira Fox and Katie Shannon TLC23 through-out the night.
https://www.instagram.com/tlc.23.tlc/
https://www.nts.live/shows/diet-clinic/episodes/diet-clinic-3rd-april-2023
http://3236rls.com/TLC23.html
COLLAPSE w/Keira Fox, Sophie Sleigh- Johnson and Vindicatrix.
+
Anne Gillis:
https://buytickets.at/vindicatrix/1344427
Pour magnétocassettes, chants magnétiques, et petits-riens... For K7 recorders, magnetic songs, and little-nothings.... Anne Gillis latest piece, comprising sounds and visuals, is a continuation of four decades of her singular vision. Her music can be considered as musique concrète using the tape machine as compositional tool, manipulating her recorded sources, consisting mainly of extended voice and different (instrumental) sounds, with the addition of electronics and treatments.
Cliché Toupee is a South London-based musician who sonically explores themes of deterioration and decay in her music. After years of experimenting with alternative and experimental sounds, she has recently shifted her focus toward rhythmic and dance-oriented forms of music. A compilation of their early works is set to be released toward the end of Summer 2024 on Seln Recordings.
https://clichetoupee.bandcamp.com/
Marina Gržinić and Aina Šmid have been working with video since 1982. They participated in more than 40 video art projects, shot a 16mm short film and created numerous video and media installations; they independently directed several video documentaries and television productions.
In 1997, they created an interactive CD-ROM for the ZKM in Karlsruhe. Gržinić and Šmid presented and exhibited their video works and video installations at more than 100 video festivals around the world and received several important awards for their video production.
Marina Gržinić (1958) holds a PhD in philosophy and works as a Principal Research Associate at the Institute of Philosophy of the Scientific Research Center of the Slovenian Academy of Sciences and Arts (ZRC SAZU) in Ljubljana. She also works as a freelance media theorist, art critic and curator. Gržinić is a professor at the Academy of Fine Arts Vienna. She has published hundreds of articles and essays, as well as numerous books.
Aina Šmid (1957) is an art historian. She was editor of a design magazine in Ljubljana and worked as a freelance writer.
