Tuesday 17 October 2023, 7.30pm
PHEW is an avant-garde vocalist, electronics innovator and post-punk artist. Phew was a founding member of the legendary Japanese punk band Aunt Sally. After the band’s breakup in 1979, she continued her career as a solo artist, releasing a collaborative single with Ryuichi Sakamoto in 1980, and her first solo album, ‘Phew’, with Conny Plank, Holger Czukay of CAN, and Jaki Liebezeit in 1981. In 1992, her third album, ‘Our Likeness’, was released on MUTE (recently reissued), again at Conny’s studio, with Jaki Liebezeit of CAN, Alexander Hacke of Einstürzende Neubauten, and Chrislo Haas of DAF. Since the beginning of the 2010s, she has released a series of works that combine voice and electronic music, and has gained international recognition as a forward facing electronic artist. She has also released collaborative works with Ana da Silva (Raincoats), Seiichi Yamamoto (Boredoms) and others. Phew's expansive ‘Vertical Jamming’ was released on vinyl for the first time via Disciples last year, whilst Mute recently released her stunning record ‘New Decade’; a stark, haunted album, populated by voices that intone empty pleasantries in English and Japanese, against a backdrop of fractured, dubbed-out electronics.
https://phewjapan.bandcamp.com/music
ALISON COTTON is a viola player based in London working in composition and improvisation. Her debut album ’All Is Quiet at the Ancient Theatre’ was released in 2018 firstly on cassette on Bloxham Tapes, followed by a vinyl release on Cardinal Fuzz (UK) and Feeding Tube (USA). In July 2019 her longform piece, ‘Behind the Spiderweb Gates’ was released on the Australian label, Longform Editions. As well as the viola, she uses an array of other instruments (her voice, harmonium, percussion, recorder, omnichord, shruti box and piano) to create long, haunting folk drones. Cotton’s new album ‘The Portrait You Painted of Me’, is a 6-track record – her first for Rocket Recordings. ‘Mumurations Over the Moor’ is a wordless piece of layered vocals, drifting like fog towards a sunset over the green undulations of North East England. ‘The Last Wooden Ship’ evokes the shipyards of Sunderland, laced with piano and percussion events, while her voice calls out like a siren urging listeners to a rocky demise.
https://alisoncotton-uk.bandcamp.com
ME LOST ME delights in experimenting with songwriting and storytelling, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully push the boundaries of genre. Led by Newcastle-based artist Jayne Dent who takes influence from folk, art pop, noise, ambient and improvised music, the project has transformed since 2017 from a solo endeavor to an expanded group; regularly collaborating with acclaimed North-East jazz musicians Faye MacCalman and John Pope. Me Lost Me’s music has been described in The Guardian as "stripping folk back to its bones while letting its future echoes bleed out", and by BBC Radio 6's Tom Robinson as a "brilliant peculiar noise". Me Lost Me’s latest album ‘RPG’ was released last summer on Upset The Rhythm.
Chiara Lee & Freddie Murphy are two artists and curators based in Torino, Italy. With the moniker Father Murphy they released a series of concept albums and performed extensively across the world. Their DJ sets often include avant church music, droney soundscapes, atmospheric noise, sound sketches, cracklings electronics and left-field beats.
https://murphy---lee.tumblr.com/
