| 1 | Lublin | 1:01:01 |
An AMM concert: Lublin in Poland. A Place. Atmosphere of place pervades the music - 'place' from the latin platea and Greek plateia - 'open space'. Open space is what AMM thrives on. Open - as in uncongested. Open - as in receptive. Open - as in enquiring. New open spaces offer new challenges. Acoustics too are different, as is the piano and the percussion. Materially they can be different Sense of place is also coloured by cultural context. Eastern Poland has its history and expectations. We have ours. So, as we place our sounds into their space we have to live and support our own artistic axioms. Such an offering may be a foreign invasion - an imposition upon another place. Or, it can be a musical proposal to potential friends. A poetic whisper of what may be possible in human creativity and affairs.
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Eddie Prévost / percussion
John Tilbury / piano
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Tracklisting:
1. Lublin - 1:00:01
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Lublin was recorded at CODES — The festival of Traditional and Avant-garde Music — Lublin, Poland on 16th May 2012. Recorded by Jaroslaw Rudnicki. Mixed and mastered by Sebastian Lexer. Artwork by Myuh Chun.
Available as 320k MP3 or 16bit FLAC
Eddie Prévost began his life in music as a jazz drummer. A recurring interest in this form has been maintained, although always with an experimental ethos. Along the way he has maintained his fifty-year plus experimental credentials with AMM and numerous other improvisation projects, including his now twenty-year long weekly workshop. But drumming has generally been backgrounded to his experimental percussion work. More though, is to be expected of his drumming in 2020 on forthcoming multi-CD album: The Unexpected Alchemy. A part of this Krakow festival recording features the drums and saxophone trio of Ken Vandermark, Hamid Drake, and Eddie Prévost. His most recent released recordings include AMM’s: An Unintended Legacy, and a duo with John Butcher - Visionary Fantasies, both on Matchless Recordings. Also, a solo percussion LP on the Earshots label called Matching Mix. Later, in 2020 he meets with Jason Yarde and Nathan Moore, while in March concerts and recording will hear him drumming with US guitarist Henry Kaiser and saxophonist Binker Golding.
“Prévost's free drumming flows superbly making use of his formidable technique. It’s as though there has never been an Elvin Jones or Max Roach.” - Melody Maker
“Relentlessly innovative yet full of swing and fire.” – Morning Star
John Tilbury is renowned for his peerless interpretation of the piano music of Morton Feldman, John Cage, Christian Wolff and Howard Skempton. In addition to the performances and seminal recordings that he has made of these composers’ works, he has been an eloquent advocate of their music in his writing and speaking about them. The same is true of the attention he has paid to the music and ideas of Cornelius Cardew, the subject of his authoritative biography published in 2008, and with whom he played in the legendary improvisation groups the Scratch Orchestra and AMM. In the last ten years John Tilbury has performed a range of plays and prose pieces by Samuel Beckett.
Video by Helen Petts
