“David Grubbs's books are at once bravado poetic performances and incisive works of performance theory. He combines a deep knowing with a willingness to smash everything. I will follow him into any medium.” — Ben Lerner
“It's decades now that David Grubbs has kept my head spinning with ideas about the creation, performance, and understanding of music. To hear or read his work is to be invited into collaboration. We are all audience, all of the time, and every creator worth her salt knows this. Grubbs turns this tenet into poetry.” — Will Oldham, music maker
"Grubbs uses the set-up to extrapolate many philosophical questions surrounding the materiality of technology, the motivations of the performer, the collapsing of distinctions between different media and musing on the economics of entertainment – all within the crucible of the noble ruin of the recording studio, once the promised land for an aspiring musician and now an expensive obsolescence. . . . A kind of torrent of ideas and anxieties in the form of a visual score pouring forth from his three decades of recording in grungy studios and gilded arts academies all over the world." — Alex Neilson, Record Collector
"At times, Grubbs goes into incredible detail: the buttons an engineer presses, the way a space looks, the feelings that arise from playing an instrument. However.just when it becomes almost tedious, such detail proves to be the book's greatest charm. As it progresses, one more fully appreciates how these descriptions illuminate the mindfulness that music-making can beget." — Joshua Minsoo Kim, The Wire
"[The Voice in the Headphones] is an experience encapsulated in the space-time of the recording process of isolation booths, mixing boards, the room that not only floats acoustically but also is free from the flow of real time in the outside world. . . . This is an insider’s inside book about an inside experience, but Grubbs’ warmth will appeal to anyone who’s wondered just what goes on in those sequestered rooms." — George Grella, New York City Jazz Record
Published: Duke University Press
Pages: 160
Published: March 2020
David Grubbs is a musician and writer based in Brooklyn. He was a founding member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and has performed with the Red Krayola, Will Oldham, Tony Conrad, Pauline Oliveros, Loren Connors, Susan Howe, and many others. His books include Good night the pleasure was ours, The Voice in the Headphones, Now that the audience is assembled, and Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (all published by Duke University Press). Grubbs is a 2024-25 Berlin Prize recipient from the American Academy in Berlin as well as Distinguished Professor of Music at Brooklyn College and The Graduate Center, CUNY.