Une eclipse totale de soleil – Ghedalia Tazartes

Remastered CD edition of Une éclipse totale de soleil, Ghédalia Tazartès' third LP, originally released in 1984. Far away from contemporary music intellectualisms and the works of synthetic noise purists, this album features a new form of musical expression and is certainly one of the most original and creative records of the '80s. The value of this work was at the time underestimated and only a few people had a chance to listen to this beautiful music. The record utilizes collage, Tazartès' unique vocals, trance-ethno backing splices, droning organ, and childish naiveté, in a spirit all its own. Originally conceived in two parts, Une éclipse totale de soleil is here supplemented with a 25-minute piece titled "Il regalo della befana" or "Une éclipse totale de soleil (Part III)," composed expressly for the original 1996 release of this CD edition. The original two parts are constructed from sung passages of Middle Eastern musics, drum machine noises, distorted signals, and the voices of small children. The newer third part takes some of the same sorts of cues but is more in keeping with turntablism or sampling culture, dipping into recordings recycled from pop culture. Tazartès' music compiles fragments from a wide variety of sources in a stunning, idiomatic fashion, still undiminished by the passage of time.

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Vocals, Music, Recording, Mixing: Ghédalia Tazartès

Voices: Alain Rigout, Bruna Filippi, Daniel Kenisberg, Rafaël Glucksmann, Yumi Nara
Released by: Alga Marghen

Ghédalia Tazartès

French cult artist Ghédalia Tazartès is an uncompromising character who defies categorization. He recorded alone a dozen of albums, calling his way of working “Impromuz” for lack of a better term. Before the years 2000s, his public appearances remained exceptional events.

Ghédalia Tazartès’ music has always been a mystery. It switches from musique concrète to – existing or invented – ethnic music, from poetry to noise, or from loops and collages to sad and extremely beautiful tunes in a second, but it constantly is in flux and coherent.

In 2004, Ghedalia finally decided to do live performances again. He first worked with other musicians (Les Reines d’Angleterre, David Fenech & Jac Berrocal, Norscq & Black Sifichi, Nicolas Lelièvre) and is now a solo performing artist (although his very young son sometimes joins him on stage!).