Lore Lixenberg has evolved a practice based on voice, that has three major features. Firstly, exploring extended vocal techniques and hyper-extensions of the voice (‘BIRD’ and ‘THE BIRD STUDIES’, pieces, that explore language and syntax through birdsong) Secondly, drawing on socially engaged practices (PRET A CHANTER, THE VOICE PARTY) and thirdly, exploring digital technologies and apps for their operatic dramatic potential creating a new form - the APP-ERA, (SINGLR, VOXCOIN, IDENTITY THEFT). Incorporating comedy into her compositions applying bel canto singing into physical theatre, comedy and free-improvisation  she works with Simon Munnery, Richard Thomas, Stewart Lee and  Complicite (McBurney). She has performed internationally on concert platforms and galleries, opera houses, in operas and has collaborated on experimental installations and vocal performances with experimental composers visual and sound artists like Acquaviva, STELARC, Bruce Mclean, ORLAN, Georgina Starr, Imogen Sidworthy and David Toop. Her stuff has been shown at at The Hamburger Bahnhof , Galerie Nord Berlin, Ikon Gallery UK, The Armory NY, Emily Harvey Foundation NY among others. She published an artist book ‚Memory Maps’, monographic CD ‘The afternoon of a phone’ (£@B). She started THE VOICE PARTY standing in British election of 2019 and will satnd again in 2024. Her vinyl release NANCARROW KARAOKE, a record of Nancarrow piano rolls she transcribed for her own voice multi-tracked is on the De Player label.